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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The great electro classic – and one that will make you pop so much your shoulders will get sore! The single features the long "Din Daa Daa remix" – with lots of nice parts that drop out, and have the chorus popping out with great isolated sound. Also features the dub mix, ... 12-inch, Vinyl record
Doobie-doo doobie-doo! One of the catchiest Roy Ayers dancefloor tracks ever – a bassy bumping thumper that wonderfully skirts the line between clubby and funky! The track's got female vocals singing along with the hook – all in a mode that's quite similar to the most uptempo work by ... 12-inch, Vinyl record
One of the rarest records ever cut by the Last Poets – and one that has them standing up to their claim of being the "inventors" of hip hop. The cut begins with lots of electro keyboards, then bounces along in an old school groove straight out of Sugarhill – as Jalal raps ... 12-inch, Vinyl record
One of Kid Creole's greatest – a track that bounces along with a mad bassline, grooving in a campy 20's sort of way, but with this old school beat that really makes the cut kick. "Annie" and "Corrupt" are both great groovers too – more proof that August Darnell's a ... 12-inch, Vinyl record
These sides are from the obscure Chicago group Coffee – a club-oriented female trio, in the same vein as First Choice and other famous Philly groups. The tracks have a disco feel and the songs were produced by Clarence Johnson & Riccardo Williams and arranged by Floyd Morris. 12-inch, Vinyl record
Masters At Work by another name still means deep, soulful underground house tracks. If we remember right, Hardrive was more of a Louie Vega project, though he brings in Kenny Dope on these tracks too, as well as Maurice Joshua for one cut. 12-inch, Vinyl record