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A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little set from Milt Jackson – not just for his work on vibes, but also for some great tenor from Lucky Thompson! Thompson's raspy edge brings a nice degree of soulfulness to the set – a sound that adds depth to the sometimes mellower moments set down by Jackson and the rhythm ... LP, Vinyl record album
A sweet larger group session from vibist Milt Jackson – proof that he was really trying to stretch his wings, and get into new things during the 60s! The set's got Milt working with some great help from Tadd Dameron and Ernie Wilkins on larger group arrangements – nicely swinging ... LP, Vinyl record album
Plenty plenty soul here – as Milt Jackson's moving away from the Modern Jazz Quartet, and working with a great group of players that really expand his sound! The session's a bit like some of Milt's soul jazz work for Riverside and other labels – in that it's got rhythms, timings, and ... LP, Vinyl record album
A beautiful setting for the vibes of Milt Jackson – a record that has his sublime chromatic sound stepping out in front of fuller orchestrations from Quincy Jones – never overdone, but with just the right sort of soulful focus to send Milt over the top! The album's an early example of ... LP, Vinyl record album
One of the best-known 50s jazz sessions from the Savoy label – a laidback classic that's a great illustration of the label's shift in modes after the early bop years! The setting here is relatively informal – with Milt Jackson as the ersatz leader, working almost in blowing session ... LP, Vinyl record album
Excellent late 50s work by Milt Jackson for Atlantic! Bags & Flutes is very much in the style of Milt's classic Savoy sides from the preceding couple of years – mixing together his jazzy vibes with light lilting solos on flute, either by Bobby Jaspar or Frank Wess, Milt's old compatriot ... LP, Vinyl record album
A slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence ... LP, Vinyl record album
80s issue of some seminal recordings of some of the most influential, yet unde-documented jazz pianists of the bop and post bop eras. There's three tracks by the Bebop Boys, with Bud Powell, Kenny Dorham, Sonny Stitt, Al Hall and Kenny Clarke: "Bebop In Pastel", "Seven Up" and ... LP, Vinyl record album
A seminal session from Curtis Fuller – one of a handful he cut for Savoy, recorded during that late 50s/early 60s period when he seemed poised to become one of the biggest trombonists in jazz! (Whatever happened? How did he cut so many records as a leader so fast, then slide back into being ... LP, Vinyl record album
An excellent collection of overlooked tenor players from the late 40s and early 50s – put together from rare Savoy 78s and 10" sessions – with excellent notes, too! Features a full side each of work by Brew Moore, Allen Eager, and Phil Urso – plus tracks by Teddy Reig and ... LP, Vinyl record album
One of Cannonball Adderley's first albums – recorded for Savoy way back in 1955, and done with a free and open style that's a nice contrast to his tighter sides for Mercury! The album's very relaxed – that hardbop blowing session mode that Savoy virtually pioneered – letting the ... LP, Vinyl record album