This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the crowning moments of house music from the 80s – and arguably the greatest thing that Todd Terry ever did! The record's got some incredible washes of sound – coming together in a barrage of beats and keyboards that propelled Terry from out of the underground, into the cars of ... 12-inch, Vinyl record
A great bass-heavy groover from The Gap Band – pulled off one of their best albums ever, Gap Band IV! The cut's got some really great funky bits on the bottom – acoustic piano wrapped around some more electric rhythms, in a blend that keeps the track as soulful as it is catchy! 12-inch, Vinyl record
A sweet little jazz house groove, cut by Pal Joey right around the time of "Hot Music" with a similar downtown crossover club vibe, fusing the best of the acid jazz scene with a NY house style! 12-inch, Vinyl record
A seminal bit of Chicago House goes mainstream! JM Silk featured tight work by Steve Silk Hurley – producing, arranging, and mixing. Steve takes Isaac Hayes' "I Can't Turn Around", flips it on its end, and pulls it apart into a skeleton of beats, keyboards, basslines, and vocals ... 12-inch, Vinyl record
On "Swing It", Da Bush Babees sound a whole lot like an east coast version of the Pharcyde, with a little dancehall influence. Nice uptempo production and the 'jazziness' remix features heavier beats and sparer breaks. 12-inch, Vinyl record