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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A pivotal album from Fairport Convention – a set that has the group really reaching out for some new ideas and styles in their music! Sandy Denny is firmly in place here – taking the lead on most numbers – but Ian Matthews is also still in the group, bringing in that bit of west ... LP, Vinyl record album
Early 70s work from the ever-evolving Fairport Convention – a set that has the group as a quartet, with Simon Nicol on guitar and dulcimer, Dave Mattacks on drums and electric piano, Dave Pegg on bass and mandolin, and Dave Swarbrick on fiddle and mandolin. The album's one of the most ... LP, Vinyl record album
Beautiful work on guitar and sitar from the great John Renbourn – with flute from Ray Warleigh, plus concertina, viola, and percussion – on titles that include "Trotto", "Lamento Di Tristan", "Veri Floris", "Alman", "The Lady & The ... LP, Vinyl record album
A beautiful collection of Alan Lomax field recordings from the southern US at the end of the 50s/dawn of the 60s – Lomax's legendary Southern Journey – in which he set out to document the still made southern folk music that had decades earlier influenced the jazz and blues that changed ... LP, Vinyl record album