This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The three or four shades of the blues here are all pretty darn deep – as Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse ... LP, Vinyl record album
Charles Mingus at Carnegie Hall – but playing here with relaxed and intimate feel that's not what you might expect from the staid setting! The album features 2 long tracks – both done in more of a jam session mode than any other Charles Mingus recordings we can think of. Both numbers ... LP, Vinyl record album
One of the last great records by Charles Mingus – a set of extremely compelling original compositions, played by a fresh group of younger players, plus a few older masters! The record's got a fire and sense of emotion that's missing from a number of other 70s Mingus sessions – and it's ... LP, Vinyl record album
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from ... LP, Vinyl record album
A very well-done collection of Charlie Parker performances from the legendary Birdland nightclub – originally presented on radio, but cleaned up here with a great sense of sound! The mighty Symphony Sid can be heard introducing a few tracks, but the main focus is on the music – with ... LP, Vinyl record album
Funky fusion from Jeremy Steig – still sounding pretty darn great here, although a bit freer than on some of his earlier albums. The great Eddie Gomez is still working with Jeremy here – which is one of the reasons the record sounds so great, as Eddie's bass work is deep and soulful, ... LP, Vinyl record album
Incredible work from saxophonist John Handy – an extended performance from the Monterey Jazz Festival in 1965, and a set that shows that he's grown tremendously as an artist since his early recordings for Roulette! The tracks are quite long – with only 2 numbers overall, "Spanish ... LP, Vinyl record album
A really wonderful album from Dexter Gordon's later years at Columbia – and a rare session that pairs larger arrangements with his soulful voice on the tenor and soprano saxophone! Although other players worked often in this mode, the record may well be the only one of its type for Dexter ... LP, Vinyl record album
Casino has a smaller, tighter lineup than some of Al DiMeola's other records of the time, but the overall sound is still pretty far-reaching – thanks to a mix of keyboards from Barry Miles, and a blistering array of acoustic and electric guitars from Al himself! Steve Gadd propels the group ... LP, Vinyl record album
A strange one for Miles – kind of a repackaging of earlier work, done in a late 60s cover that has an image of outer space on the front and back! The tracks are mostly from the late 50s/early 60s Columbia albums, and titles include "Billy Boy", "So What", "All ... LP, Vinyl record album
Later issue of a crack live set that was recorded in 1961, when Dizzy had a young Lalo Schifrin in his group, playing the piano, and providing these great arrangements that broke Dizzy out of the be bop bag, and into a more Afro Latin groove. Leo Wright's on alto and flute, Bob Cunningham on bass, ... LP, Vinyl record album
One of the coolest, grooviest albums you'll ever hear from the legendary percussionist Airto – a set that mixes his own Brazilian roots with the electric genius of 70s CTI – all with stunning results! Airto's in the lead – and blows some beautiful wood flute lines alongside ... LP, Vinyl record album