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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A landmark album from Sonny Rollins – one that marked his comeback in the early 60s, after a brief period of retirement, and which also initiated a string of incredible recordings with guitarist Jim Hall. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowin ... LP, Vinyl record album
Despite the title, which seems a bit silly, the album's actually one of Sonny's best from the 70s – an open-ended live set, recorded with a group that features both electric and acoustic piano, plus guitar and electric bass in the rhythm section – making for a nice slightly funky groove ... LP, Vinyl record album
A 60s album that repackages the sessions that were featured on Movin Out – a record that features Rollins at the modernist edge of the bop years – playing in 2 different groups, one with pianist Elmo Hope, the other with Monk. Both groups have strong rhythm sections, and the material ... LP, Vinyl record album
A strange one, and from this perspective, it seems like a crazy decision to pair modernist tenorist Sonny Rollins with a set of large brassy arrangements. Oddly, though, the idea works, and works nicely – as Rollins' edgey solos cut through the heavy arrangements with ease, creating some ... LP, Vinyl record album
A crucially important record in Sonny Rollins' career – one that had him breaking out of the straight bop sound, and emerging as a major power on the tenor sax – one with limitless creative power! The set features Rollins working with only drum and bass accompaniment – played by ... LP, Vinyl record album
Prestige reissued this record in 1975 and it includes the whole of Saxophone Colossus as well as parts of Sonny Boy, Sonny Rollins Plays For Bird and Sonny Rollins Plus Four all from 1956. Rollins plays tenor sax and is joined by a stellar bunch of musicians such as Doug Watkins on bass, Max Roach ... LP, Vinyl record album
A beautiful soundtrack to the dark British comedy of the same name – starring a young Michael Caine! You might expect it to be a bit schmaltzy, but it's pure jazz all the way through, and features strong inside playing by Rollins over lively orchestrations by Oliver Nelson – filled ... LP, Vinyl record album
A landmark album from Sonny Rollins – a record that really lives up to its title, as it shows the maturing tenorist really finding his own voice in jazz – a sound that's unlike any other! Rollins' Riverside work sometimes seems to get overlooked sometimes in light of his freer late 50s ... LP, Vinyl record album
A great meeting of tenor sax talents old and young – as the up-and-coming John Coltrane plays alongside Paul "Vice Pres" Quinichette – in a classic Prestige session of well-blown saxophone work! The rhythm section on the album features Mal Waldron on piano, Julian Euell on ... LP, Vinyl record album
A rare session as a leader for trumpeter Jon Eardley – a strong 50s player in Gerry Mulligan's group, one with a tone that is both cool and modern, but also able to move deftly in bop circles! This set features a septet (as might be expected by the title) – with players that include ... LP, Vinyl record album