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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Accompanied by Ray Brown on bass, Benny Carter on alto, Ron Eschete on guitar, Marshall Otwell on piano, and Jimmie Smith on drums. LP, Vinyl record album
A great cooker from the glory days of Ernestine Anderson on Concord Records – a time when the singer was rediscovered, and revamped in a bit of a bluesy mode – reaching a wide new audience at the time! Her vocals really shine at this point in her career, as she lets loose with a bit ... LP, Vinyl record album
A key moment in the career of vocalist Ernestine Anderson – a record that not only returned her to the public eye after a flurry of initial sides in the late 50s and early 60s, but which also finally helped Anderson find a sound that worked! The album's done with backing by the Monty ... LP, Vinyl record album
The title's a bit of a joke – because the record features a batch sidemen from the Count Basie band – Thad Jones, Joe Newman, Freddy Green, Billy Mitchell, Frank Foster, and others – all working with Sarah, but the Count's name is missing, due to contractual obligations! Despite ... LP, Vinyl record album
(Early 70s issue, with obi and insert. Cover has a faint stain and small peeled spot from sticker removal and light aging inside the gatefold.)LP, Vinyl record album
One of Sarah Vaughan's first albums of Latin-tinged tracks – showing the roots of her interest in Brazilian music that would develop even more fully into the 70s. The record features a large group arranged and conducted by Frank Foster – with a host of jazz soloists, plus Latin ... LP, Vinyl record album
A pretty obscure Sarah Vaughn album – and a nice one! The album's got Sarah singing with arrangements by Hal Mooney, who'd done work for her before in a more standard way, and who here is opening up a bit, at times almost hitting a groovy late 60s mode. Players in the group include Bob ... LP, Vinyl record album
(Original stereo pressing, still sealed, with a small cutout hole and a large tear half way across the bottom. Cover is lightly bent at the bottom edge.)LP, Vinyl record album
Titles include "Time Out For Tears", "Salty Papa Blues", "September In The Rain", "This Bitter Earth", "Mixed Emotions", "Mad About The Boy", and "What A Difference A Day Made". LP, Vinyl record album
This is an LP issue of some of her early recordings, originally released on 78. Songs include "Record Ban Blues", "What's The Matter With Baby", "I'm Crying", "Shuckin' And Jivin'", When The Sun Goes Down", "Set Me Free", "My ... LP, Vinyl record album