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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of a handful of records cut by the lovely singer Byrdie Green for Prestige during the 60s! Byrdie's got a sweet soulful voice – not the greatest in the world technically, but very much in that classic small club mode of the 60s and 70s, as often heard singing with a hip small combo late ... LP, Vinyl record album
Lulu takes a trip down to Criteria Studios in Miami – working at Atlantic Record's new heart of southern soul for the 70s – but coming up with styles that are a fair bit like her previous outing at Muscle Shoals! As on that one, production is by Jerry Wexler, Tom Dowd, and Arif Mardin ... LP, Vinyl record album
A beautiful album by one of our favorite jazz singers! Lorez Alexandria is in a perfect setting here – singing with subtly sophisticated backings that really let her take charge, and direct the songs tightly with her incredibly soulful vocals! Instrumentation is mostly in a small combo ... LP, Vinyl record album
A great album from the late 70's, featuring the excellent jazz vocalist backed by a totally tight group led by Gildo Mahones. The sound is deep and loud, and there's some nice phat bass on here, particularly on the intro to "Baltimore Oriole", which has a nice break sound at the ... LP, Vinyl record album
One of the first albums ever cut by Jackie Paris – an excellent male singer from the 50s, of the same generation as Mark Murphy and Bobby Troup, but who unfortunately never made a name as big as either of those two. This set has Jackie singing with arrangements by Manny Albam – fairly ... LP, Vinyl record album
Ed Townsend's best known as a famous songwriter and producer – whose work through the 60s and 70s made him more than a bit of green – but this early album has Ed trying his pipes as a male vocal lead, singing in a style that's smooth and mellow, a bit in the vein of Jesse Belvin, and ... LP, Vinyl record album
Nina pays tribute to an assortment of modern poets – Bob Dylan and George Harrison, as well as herself! The album collects tunes from some of Nina's other RCA albums – and features arrangements by Nina, Harold Wheeler, and Weldon Irvine – of tracks that include "I Shall Be ... LP, Vinyl record album
An early date from vocalist Bev Kelly – working here with a backing from a piano trio led by Pat Moran, with support on bass by a young Scott LaFaro! Kelly's vocals are intimate and warm – with qualities that remind us a bit of Chris Connor on Bethlehem, but without as much of a sense ... LP, Vinyl record album
A pretty great record from Sammy – one that has a groovier feel than most of his other work from the time! The cover has Sammy hanging out with a bunch of hippies, and that feel is certainly carried through to the music – arranged by Billy Strange and George Rhodes, with bouncy ... LP, Vinyl record album
An beautiful set of jazzy vocal numbers featuring backing from players who aren't often heard n this setting, by Benjamin, one of a small number of shining lights on the jazz vocal scene in the 80s. The group here includes Onaje Allan Gumbs on piano, Buster Williams on bass, Carlos Ward on reeds ... LP, Vinyl record album