Leon Russell : Stop All That Jazz (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Stop All That Jazz

LP (Item 664088) Shelter, 1974 — Condition: Near Mint-
Originally: 9.99
Leon Russell at the height of his powers – really firmly on his own in the lead, after so many years in the background – and working with a confidence that makes the whole thing completely charming right from the get-go! Like a rare few – a short list that might include Mose Allison, Dr John, or Georgie Fame – Russell is able to reference roots without any sort of hoke, and easily make them into a sound and style that's all his own – in this case with some mod touches of the jazz promised in the title, but also touches of Texas, New Orleans, and maybe a bit of his Tusla home turf too. Titles include versions of "If I Were A Carpenter", "Smashed", "Wild Horses", and "The Ballad Of Hollis Brown" – plus the originals "Stop All That Jazz", "Mona Lisa Please", "Working Girl", and "Time For Love".  © 1996-2024, Dusty Groove, Inc.
(Cover has a cut corner and a small Sample Copy sticker in back.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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