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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The compilation that capped off a younger John Prine's early years at Atlantic Records – and if it might have come off as a bit prematurely titled at at time given the treasure trove of "best of" level material Prine would record for decades to come, there's no question after all ... LP, Vinyl record album
Great Altantic Records work from John Prine – a set that features production from Steve Cropper, who partly recorded in Memphis – on titles that include "Saddle In The Rain", "My Own Best Friend", "Middle Man", "Common Sense", "Come Back To ... LP, Vinyl record album
The great Marty Robbins did plenty of things in his many years with Columbia Records – music from straight country, to Hawaiian tunes, to crossover pop – yet the singer will forever be known for his western-themed songs – and in particular, this classic collection of tracks! ... LP, Vinyl record album