This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
We'll be the first to admit that for years, we never forgave Clyde McPhatter for leaving The Drifters – but as time has gone on, hearing records like this really have made us appreciate his greatness on his own! The record's a non-stop testament to McPhatter's vocal talents – a perfect ... LP, Vinyl record album
It's always interesting to note the way that Berry Gordy tried to move Motown out of the ghetto of US soul indies, by attempting various moves to realign the music with other spheres bigger than the scope of Detroit soul. Sometimes these moves were clear "loss leaders" that wouldn't ... LP, Vinyl record album
Early solo work by Diana – mostly in a mode that steps off nicely from her late work with the Supremes, thanks to some expansive production by the Ashford & Simpson team (who also wrote most of the cuts), and arrangements by Paul Riser that mix strings and soul into the sophisticated pre-d ... LP, Vinyl record album
A great collection of wonderful early 80s club tracks and modern soul cut for the Prelude label – with titles that include D Train "You're The One For Me", Gayle Adams "(Your Love Is A) Lifesaver", Sharon Redd "Can You Handle It", Nick Straker Band "Little ... LP, Vinyl record album
A great UK tribute to the mighty Al Jackson – the man whose drums were an important part of Stax Records at the start, and who then rose to much more creative force within the label! The set features tracks with Al on drums, and Al in the production chair – work by Little Milton, Soul ... LP, Vinyl record album
A hard-jamming bit of jazz rock – with lots of free solo work on alto and soprano sax by Ron Aspery, and a pretty strong power-trio instrumental format from Tony Hicks on drums and Colin Hodgkinson on bass. The album's more jamming than it is funky, but there's some pretty great playing on ... LP, Vinyl record album
Not "Soul Makossa", but also not a bad album of afro funk featuring Manu Dibango's usual squealing soprano sax, plus Fender Rhodes and vibes. Recorded in Jamaica, with a bit of a Carribean feel, and the tracks "Frozen Soul", "Doctor Bird", and "Full Up". LP, Vinyl record album
Later work from Love, and more of an Arthur Lee record than a true group effort – but still pretty nice! There's a hard rocking sound on most of the cuts – very fierce guitars, but also done with a nicely rhythmic approach that has less noodly bits than other groups of the time, and ... LP, Vinyl record album