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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The "biggest" album of Lou Reed's career – in the grand sense – with epic production and a small army of superstar session players and production by spectacle specialist Bob Ezrin – but that's paired with arguably the darkest, gloomiest songcycle ever composed by Lou ... LP, Vinyl record album
Remarkably strong stuff from Lou Reed in the early 80s – even if it's somewhat overlooked in his canon! As he was often doing in the period, it's fairly straight-forward rock & roll – which may have been something of a sly rebellion at a time when many of his late 60s and 70s peers ... LP, Vinyl record album
The best of the early RCA years – with "Everybody's A Star", "20th Century Man", "Alcohol", "Skin & Bone", "Face In The Crowd", "Muswell Hillbilly", "Celluloid Heroes", and "Sitting In My Hotel". LP, Vinyl record album
A live set recorded in Paris in 1977! The Soft Machine of the period included John Marshall on drums and percussion, Karl Jenkins on piano and keyboards, John Etheridge on guitars, Rick Sanders on violin, and Steve Cook on bass. Original album tracks include "The Nodder", "White ... LP, Vinyl record album