This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
The wonderful mid-to-late 60s run of records Anita Kerr cut for Warner Brothers – And Now, Slightly Baroque, Burt Kaempfert Turns Us On, All You Need Is Love and Sounds – in great little box set! And Now The Anita Kerr Orchestra has less vocals than usual from Anita Kerr – but a ... CD
A really unusual later album from Cab Calloway – a set recorded for the mostly R&B label Gone, and done in a style that update the Calloway sound from previous years at the Cotton Club! The overall presentation is strongly jazz-based – with arrangements by Eddie Barefield, who also ... CD
Dreamy girl pop from the young Joanie Sommers – a set that's got the lady singing in a style that's a bit more chartbound than some of her later recordings, with lots of cool and groovy backings that give the album a wonderful sense of pep – and a slight undercurrent of sex as well! ... CD
A surprising sort of set, one in which Dee Dee Bridgewater pays tribute to Ella Fitzgerald – a link we might never have expected in her style! Dee Dee's not totally copping Ella here, though – although she does sing a good number of tunes from the Fitzgerald songbook – and as ... CD
A legendary pairing of two classic postwar singers – each of whom were really finding their own sort of sound in the 50s, then found a way to make some real magic together on a record like this! Louis Armstrong was very much senior to the younger Ella Fitzgerald – but both had become ... CD
Dianne Reeves has always stood right on the balance between jazz and soul music – and although some of her more recent efforts have tended towards more of a classic torchy mode, this time around she's right back in the soulful territory we love best! The album's got help from a great array ... CD
Featuring Tamir Hendelman on piano, Jeff Hamilton on drums, Christoph Luty on bass, Carol Robbins on harp, Larry Koonse on guitar, and Red Holloway on tenor sax. Tracks include "Wild Is The Wind", "Besame Mucho", "The Best Is Yet To Come", and "You'd Be So Nice ... CD
From its booze-soaked title cut, to its haunting selection of lonely ballads like "Midnight Sun" and "Stranger Called The Blues", this is one of the most fantastic vocal jazz albums of all time – and a record that we'd recommend instantly to anyone! June Christy has an ... CD