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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Excellent early work from Roland Kirk – not as groundbreaking as later sessions, but still filled with fire and imagination, and proof that the famous blind player was a genius even at an early age! Kirk plays alto, tenor, and soprano – and on all tracks, he plays them in his unique ... LP, Vinyl record album
A stone classic from Roland Kirk – and a record that beautifully balances his modern ideas and playful energy – as you might guess from the title! While posing as the "whistleman", Roland's also pushing the boundaries of jazz a few steps forward too – not just in modern ... LP, Vinyl record album
A hell of a record from the young Roland Kirk – one of his first for Mercury Records, and the start of a great run of genius in the 60s! Kirk is mindblowing here – playing tenor, flute, manzello, and stritch – often at the same time, as pictured on the cover – a mode that's ... LP, Vinyl record album
Our favorite album ever from Roland Kirk – and a beautiful mix of two different sides of his genius! Side one's got Roland doing these crazy takes on late 60's pop cuts like "My Cherie Amour" and "Say a Little Prayer", plus his own "songs", done with soulful ... LP, Vinyl record album
From their inception in late 1956, Ramsey Lewis and his famous Young/Holt-era trio were destined for great jazz fame. This 1958 session on Mercury (then based in the group's native Chicago) catches the trio right at the beginning – when they were taking tunes that were pretty well known, and ... LP, Vinyl record album
Well, the Three Sounds have always been more soulful than modern – and about the only thing "modern" about this pre-Blue Note release is the abstract painting on the cover! But that doesn't stop the record from being a great little batch of soul jazz piano tunes, played by Gene ... LP, Vinyl record album
One of Quincy Jones' best for Mercury Records in the 60s – a very groovy record that was done with a feel that's somewhere in between his Big Band Bossa album and his best 60s soundtrack work! The format is simple – Quincy picks a sweet batch of jazz semi-hits from the early 60s, plays ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... LP, Vinyl record album