This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
An amazing reunion of a legendary group – the 70s free jazz trio of Sam Rivers on reeds, Dave Holland on bass, and Barry Altschul on drums! Rivers had already carved out a strong name for himself with earlier work – but his meeting with Holland and Altschul really helped the reedman ... CD
Roscoe Mitchell's working here with an expanded version of the Note Factory group – one that's a nonet lineup that features two bassists, two drummers, and two pianos – plus trumpet, guitars, and a variety of reeds from Roscoe. Additional string and woodwind players join the group at a ... CD
Killer Jazz Crusaders material – exactly the kind of record that really had the group coming into their own in the second half of the 60s – finding a rich new groove that few other combos could match! The record captures the group at a perfect time – a point when they were ... CD
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at ... CD
An overlooked gem from Rollins – and a record that has him playing with a bit of an electric feel, in a style that's similar to some of Joe Henderson's early 70s Milestone sessions! Similar to Henderson's albums, George Cables plays a bit of electric piano on the set – grooving nicely ... CD
Sweet sweet work from Deodato – a great little set that almost makes us think it's the 70s all over again! Deodato's working in that great blend of jazz and soul he first set down during his CTI years – then took to new heights on MCA and Warner too – a wonderfully warm blend ... CD
Overseas excursions from the Charles Lloyd Quartet – a group who were already breaking down plenty of boundaries at home in the US! The lineup is a bit different than some of the other Lloyd sessions of the time, in that Cecil McBee is in the group on bass – adding in some wonderfully ... CD
Includes the original concert film by DA Pennebaker, bonus videos, interviews with the band, the original concert audio on 2 CDs, hi-res stereo and surround mixes of the original album, plus a behind the scenes photo book and other goodies! CD
The record that really broke The Fugees out of the box – not their debut, but the album where everything really came together – especially the fantastic mix of vocals and MC work that Lauryn Hill brought to the group! The album was a key bridge between hip hop and soul back in the day ... CD