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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Nice later interpretations of Wailers classics, with a generous helping hand from Sly & Robbie, and adds a nice rendition of Curtis Mayfield's "Keep On Moving" to the set. A favorite album of ours from the twilight of the original roots era, with 10 tracks in all, including "Danc ... LP, Vinyl record album
Like a lot of the stuff on Dynamic, not so much a reggae outing, as a soul record by a reggae artist. With a smooth, sophisticated approach to soul like some of the best early 70s Chicago artists, and many of the tracks are covers of big stateside hits. Tracks include "For All We Know", ... LP, Vinyl record album
A great global showcase for the growing power of Bob Marley – an excellent live set recorded in London in 1975, and a date that shows Bob and The Wailers working with the crowd in this really universal spirit! The group's almost got a funkier current here than on some of their studio record ... LP, Vinyl record album
A record that's not only a landmark in Jamaican music – but also a set that was to reggae what Curtis Mayfield's Superfly was to 70s soul! In other words, the set not only raised the bar for all the competition, it also ended up in a lot more record collections than most of them too – ... LP, Vinyl record album
The purist reggae lover side of us wants to dismiss this is a largely commercial crossover record, but the electro loving side of us can't get enough of the title track, which was also covered to great effect by Rocker's Revenge. Much of the rest of the record hews closer to traditional reggae and ... LP, Vinyl record album
(Nigerian pressing on Taretone. Cover has clear tape on the bottom seam, edge & surface wear, splitting on the spine & bottom, spot of marker.)LP, Vinyl record album
Peter Tosh's great, militant, second solo LP, one of the best of his career! Equal Rights is up to par with the finest Wailers LPs, although this is a bit heavier than the groovy, mellow Legalize It, the predecessor. A vital, hugely important, essential set of mid-to-late 70s reggae on Columbia. ... LP, Vinyl record album
A real classic in mainstream reggae – the first full length set from Peter Tosh after his earlier singles with The Wailers! The record's still one of Tosh's greatest on record – composed, arranged, and produced by Peter himself – with tracks that include "Legalize It", ... LP, Vinyl record album