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Stitt's Bits Vol 1

LP (Item 657178) Prestige, Early 50s — Condition: Very Good+
...

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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Symphony Hall Swing
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Sonny Stitt Plays
Roost, 1956. Very Good-
One of Sonny Stitt's amazing albums for Roost – a record with a beautifully mature conception of bop soloing, and a totally confident tone throughout! There's an understated brilliance here that's nearly impossible to describe in words – a sense of placement, timing, and phrasing that's ... LP, Vinyl record album

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Stitt Goes Latin
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Sonny Stitt goes Latin – and the results are tremendous! The set's still got all the soulful feel of the best Stitt sessions for Roost, but it brings in some nice Latin rhythms too – inflecting things with that blend of soul jazz and congas you might find over at Prestige or Blue Note, ... LP, Vinyl record album
Roost, 1955. Near Mint-
Sonny Stitt plus the early genius of Quincy Jones – a really great combination that makes for a standout session on Roost! As you might guess with Quincy handling the arrangements, the group here is bigger than usual for Stitt – especially given that the bulk of his Roost sessions were ... LP, Vinyl record album

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Burnin
Argo, Early 60s. Very Good-
A great lost gem from Sonny Stitt – one of his most obscure sides for Argo, recorded with a no-nonsense quartet that included Barry Harris on piano, William Austin on bass, and Frank Gant on drums – all on the day after the trio worked together on Harris' Breakin It Up session for the ... LP, Vinyl record album
Roost, Mid 50s. Near Mint-
Beautiful Roost material from Sonny Stitt – solid, mature, and extremely well-placed lines on the alto sax – all caught at a level that's higher than most of his contemporaries were dising out at the time! The boppier side of Stitt's roots is nicely suppressed here – and in its ... LP, Vinyl record album
Verve, Late 50s. Very Good-
One of Stitt's classic Verve sides – a mellow late-night session done with a west coast soul jazz quartet that includes Lou Levy on piano, Leroy Vinnegar on bass, and Mel Lewis on drums. Tracks are short, but Stitt's tone is impeccable – and the album's a key one for moving him away ... LP, Vinyl record album
Cobblestone, 1972. Very Good
A return to basics after Sonny Stitt's late 60s Varitone and funk experiments – all-bop and all soul all the way through, and recorded with a tight quartet that features Barry Harris on piano, Sam Jones on bass, and Roy Brooks on drums! The style's a bit like Sonny's work of the late 50s, ... LP, Vinyl record album
Prestige, 1949/1950. Very Good
Great early stuff by Stitt – originally issued on 78 rpm sides by Prestige, but collected here in LP format with better notes! The sessions feature one session with Bud Powell on piano and Max Roach on drums, and another set with John Lewis on piano, JJ Johnson on trombone, and Roach again ... LP, Vinyl record album

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Now!
Impulse, 1963. Very Good Gatefold
A tight swinger from Sonny Stitt – one of the standout 60s dates he recorded for the Impulse label, a place where he seemed to get even more care and focus in the studio! The record's got all the soulful swing of Stitt's classics for Roost, but also hits a slightly more lyrical groove at ... LP, Vinyl record album

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Goodbye
Prestige, 1975. Very Good+
Gene Ammons' last session – not as funky as earlier work for Prestige, but pretty nice at that! The group's got Gary Bartz on alto, Kenny Drew on piano, Sam Jones on bass, Louis Hayes on drums, and Nat Adderley on cornet – and they groove together well, in the kind of soul jazz/modal ... LP, Vinyl record album
 



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