This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Genius work from Moody – and a larger session than usual – one that shows his strong talents with an expanded lineup! Moody's working here with players that have a definite Dizzy Gillespie Big Band bent – including trumpeter Dave Burns, trombonist William Shepherd, baritonist Pee ... LP, Vinyl record album
A rare setting for Moody – a player who rarely cut sides with larger backing, but who sounds really wonderful here! The album's got Moody blowing mostly alto, and a bit of flute – over large backings by Torrie Zito that feature equal parts strings and woodwinds – conducted in a ... LP, Vinyl record album
Way more than just a James Moody album – a true proof of his genius in the 60s! The album was put together under the guidance of Tom McIntosh – a very hip young writer and arranger that Moody had been pushing on other records, and who steps into the limelight here with a wonderful set ... LP, Vinyl record album
Nice tight back-to-basics session by Moody that has him playing with an organ combo. Mickey Tucker's on the keys, Roland Wilson plays bass, and Eddie Gladden handles the drum chores. Moody's on tenor all the way, with no flute at all, and the tracks include "Freedom Jazz Dance", "Ne ... LP, Vinyl record album
Great work from Moody's "second phase" – the post-Overbrook time in which he picks up the flute, drops a bit of the bop style, and starts working in a much more complicated style that showed that he had a hell of a lot of room to grow as an artist! This album's Moody's second for ... LP, Vinyl record album
A magnificent little album – one of James Moody's first collaborations with arranger Tom McIntosh – one of the most sensitive jazz voices of his time. McIntosh works in a world of many tones and colors – and he really pushes Moody past straighter solo approaches, into a mode ... LP, Vinyl record album
A strong 50s session from Gerry – a bit like some of his work for the Pacific Jazz label, but perhaps a bit more biting and modern. The group's a sextet with Jon Eardley on trumpet, Zoot Sims on tenor, Dave Bailey on drums, Bob Brookmeyer on trombone, and Peck Morrison on bass – and ... LP, Vinyl record album
With featured soloists Herb Geller on alto, Bill Holman and Georgie Auld on tenor, and Bobby Burgess and Milt Bernhart on trombones. LP, Vinyl record album
There's definitely lots of brass here – as you might guess from the title – but never so much so that it gets in the way of individual soloing by Maynard Ferguson! The date features Maynard working with arrangements by Willie Maiden, Al Cohn, Ernie Wilkins, and Bill Holman – all ... LP, Vinyl record album
One of the few full albums issued under the name of alto saxophonist Willie Smith – easily one of our favorite players on the alto of his generation! Willie's got a warmly raspy tone that rarely gets presented this well – in an easygoing, laidback setting with plenty of space – ... LP, Vinyl record album
Way more than the simple Charlie Parker tribute promised in the title! For starters, the set's got two of the best cuts by Gillespie's mid 60s group with James Moody – "Um-Hmmm" and "Groovin High" – both of which have Moody playing in an incredibly unbridled tone ... LP, Vinyl record album