About Product Images
This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.![Enlarge](javascript:show_product_image("https://cdn1.dustygroove.org/images/products/a/adderl_cann_cannonbal_103b.jpg"); "View larger image")
Cannonball Takes Charge
LP (Item 65646) Riverside, 1959 — Condition: Good
Related searches
A hardbop classic from Cannonball Adderley – and one of his harder to find albums from the Riverside days! The set has Cannon playing without his usual group, in the context of an all-star batch of players that includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – who he worked with in his time with Miles Davis – plus occasional guest rhythm work by Albert and Percy Heath. The set's strong and straight ahead – a good bridge between Cannon's early Mercury recordings, and his later albums for Riverside and Capitol – tightly crafted solos with a good deal of soul, Adderley holding down all the horn work on the record. Titles include "If This Isn't Love", "Serenata", "Poor Butterfly", "I Remember You", and "I've Told Ev'ry Little Star". CD also features 2 bonus alternate tracks! © 1996-2023, Dusty Groove, Inc.
Good
- A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
- Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
- In most cases, a poor quality copy of a very difficult to find record.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
You might be interested
Cannonball Adderley
Price You Got To Pay To Be FreeCapitol, 1970. Very Good 2LP Gatefold
Fantastic work from the massive electric years of the Cannonball Adderley Quintet – one of the group's last records to feature the keyboards of Joe Zawinul – and also one of the heaviest from the time! The set's a double-length gem that presents the group in an open live setting – ... LP, Vinyl record album
Cannonball Adderley
Country Preacher – Live At Operation BreadbasketCapitol, 1969. Very Good+ Gatefold
A totally great set by Cannonball Adderley – one of his funkiest albums ever, recorded live at Operation Breadbasket under the supervision of Jesse Jackson, and a session in which the band is cooking a lot more than on some of their other albums from the time! The set grooves hard with some ... LP, Vinyl record album
Cannonball Adderley
Jump For JoyMercury, 1958. Very Good+
LP...$6.99
9.99
An interesting early side by Cannonball that captures him before he'd really found his voice – and when the folks at Mercury still didn't really know what to do with him. The record's a tightly arranged set of tracks from Duke Ellington's musical "Jump For Joy" – with ... LP, Vinyl record album
Cannonball Adderley
Know What I Mean?Riverside, 1961. Near Mint-
Beautiful early work from Cannonball Adderley – and a record that's quite different than most of his better known sets from the time! The album's more spare and stripped-down than usual – with Cannon's alto in a quartet alongside Bill Evans on piano, Percy Heath on bass, and Connie Kay ... LP, Vinyl record album
Cannonball Adderley
Somethin' ElseBlue Note, 1958. Very Good+
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing trumpet in a cool tone that's a ... LP, Vinyl record album
Charlie Byrd
Byrd SongRiverside, 1965. Very Good+
An unusual set that prefaces Charlie's recordings for Columbia – a trio side that also adds in chorus vocals on a number of cuts, creating a nice warm pillowy backdrop that's a perfect juxtaposition to Charlie's spare and raspy sound on the acoustic guitar. And just because we use "pillo ... LP, Vinyl record album
New Orleans Rhythm Kings with Jelly Roll Morton
NORKRiverside, 1955. Very Good+
(Mono white label pressing with deep groove. Cover has splitting on all sides, tiny peel from sticker removal, light wear.) LP, Vinyl record album
Yusef Lateef
Three Faces Of Yusef LateefRiverside, 1960. Sealed
Sublime work from Yusef Lateef – and proof that he could be exotic and swinging at the same time! The three "faces" of the set are Lateef's work on tenor, flute, and oboe – each of which get a few tracks to themselves – as Lateef works with a core Detroit group of Hugh ... LP, Vinyl record album
Duke Ellington & Billy Strayhorn
Great Times – Duke Ellington & Billy Strayhorn Piano DuetsRiverside, 1950/1964. Near Mint-
A wonderful stripped-down set of piano work from Duke Ellington – presented here in an obscure set of duets recorded with Billy Strayhorn in 1950, finally issued as a full package by Riverside in the mid 60s – at a time when more folks seemed to be paying attention to Duke's stylings on ... LP, Vinyl record album
Wes Montgomery
Movin' AlongRiverside, 1960. Near Mint-
Wes Montgomery with a bit of sax and flute – a nice change from the sound of some of his other early records, thanks to key work on the set from James Clay! Clay plays mostly flute on the record, but does so with a hard edge that reminds us of Frank Wess' work from the same stretch – ... LP, Vinyl record album
Charlie Byrd
Blues SonataRiverside, 1961. Near Mint-
One of the more ambitious records ever cut by guitarist Charlie Byrd – a set that begins with a side-long suite of tracks – the "Blue Sonata", which features Byrd playing in a much more complex way than usual! The sonata features three parts, all composed by Byrd, and Charlie ... LP, Vinyl record album
Wes Montgomery
FusionRiverside, Early 60s. Near Mint-
A pretty darn important album for Wes – as it was his first session with the sort of larger arrangements that would later make him huge! Although Montgomery was mostly recording for Riverside in small combos, this session has him playing in front of larger backings by Jimmy Jones – not ... LP, Vinyl record album
