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(Cover has a split top seam and some red ink streaks on back.)
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the stranger records on the Winley label – mostly known for its important funk and hip hop recordings! The set features older work by Gloria Lynne, reissued in this early 80s package, "by popular demand", as the cover states. Tracks are in the standard Lynne mode – ... LP, Vinyl record album
One of Gloria's most jazz-oriented albums – featuring small combo backing from the Earl May trio, with Herman Foster on piano, Grasella Oliphant on drums, and May on bass. Tracks are sweetly done, and titles include "Stella By Starlight", "All Night Long", "Young ... LP, Vinyl record album
Plenty of magic here – a record with a different sound than some of Sarah Vaughan's earlier work – but one that's still pretty great! The backings here bring in plenty of strings, and a bit of voices – going for a full feel that's a bit like some of the country soul albums of the ... LP, Vinyl record album
One of our favorite albums ever by Sarah Vaughan – and a really jazz-based session that's totally hip! Sarah's working here live at the legendary London House nightclub in Chicago – singing with a small combo that includes Ronnell Bright on piano, Richard Davis on bass, and Roy Haynes ... LP, Vinyl record album
A unique album – in that it represents some unusual London sessions from Johnny Mathis – material recorded in the UK with different arrangers than usual – including Tony Osborne, Alyn Ainsworth, and Allyn Ferguson – all of whom help give Mathis a slight change of flavor here! ... LP, Vinyl record album
Arrangements by Thad Jones and JJ Johnson – with titles that include "Sposin", "I Left My Heart In San Francisco", "All Alone", "The Sweetest Sounds", "On The Other Side Of The tracks", "I Had A Ball", and "I Want To Be ... LP, Vinyl record album