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then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
Nice live material from John Coltrane – presented without any personnel or dates listed, but still pretty great nonetheless! The work's clearly from Trane's early 60s years – and sounds like it features the classic quartet running through a set of slightly more open live numbers that ... CD
Work from Coltrane with his trio, quintet, quartet and sextet and with Dizzy Gillespie Quintet, Johnny Hodges & his Orchestra, Miles Davis Quintet, Thelonious Monk Trio, Red Garland Trio, Kenny Burrell, Michel Legrand, and Cannonball Adderley Quintet. CD
Wonderful live material from John Coltrane – recorded in Sweden in the early 60s, with sound that's surprisingly good, given the small label for the album! The work here is a beautiful illustration of the freedoms that Coltrane was exploring in a live setting – and the overall sound is ... CD
One of Coltrane's best early albums for Impulse – a warm set of modally grooving tracks, picking up where My Favorite Things left off! The group here features McCoy Tyner, Jimmy Garrison, and Elvin Jones – perfectly fitting with Coltrane's tenor and soprano sax, and transforming ... CD
Coltrane plays the blues, but in a way like nobody else – stepping off of the deeply soulful sound of his late Prestige years, and moving into even more open and exploratory space for Atlantic! The setting is bare bones and simple – and many of these numbers begin with the sort of ... CD
One of John Coltrane's best early albums for Impulse – a warm set of modally grooving tracks, and one that picks up where My Favorite Things left off! The group here features McCoy Tyner, Jimmy Garrison, and Elvin Jones – perfectly fitting with Coltrane's tenor and soprano sax, and ... CD
One of John Coltrane's best early albums for Impulse – a warm set of modally grooving tracks, and one that picks up where My Favorite Things left off! The group here features McCoy Tyner, Jimmy Garrison, and Elvin Jones – perfectly fitting with Coltrane's tenor and soprano sax, and ... CD
Soaring and soulful work from the legendary John Coltrane – a tremendous live set that's one of his best early 60s albums! The groove is open and free – filled with pulsating modal rhythms, and handled with a slightly more relaxed feeling than some of Trane's studio work from the same ... CD
A magnificent little record from John Coltrane – one of his earliest expressions of unbridled spirituality, and a session that we've treasured for years! As you might guess from the title, there's a slight Latin focus to the record – but not one that has congas and bongos creating ... CD
Key 70s work from Charles Mingus – an album that was recorded over the course of three days of creative activity at the end of 1974, but somehow split into two different albums under the Changes name! The lineup here is prime 70s Mingus – George Adams on tenor, Jack Walrath on trumpet, ... CD
Don't let the Another One title make you think this is some passable record that repeats earlier ideas – because the set is a real gem in the 50s catalog of bassist Oscar Pettiford, and one of his strongest dates as a leader! Pettiford really sparkles here – leading a great group that ... CD