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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The "biggest" album of Lou Reed's career – in the grand sense – with epic production and a small army of superstar session players and production by spectacle specialist Bob Ezrin – but that's paired with arguably the darkest, gloomiest songcycle ever composed by Lou ... LP, Vinyl record album
Lou Reed at his mid 70s live peak! Volumes have already been and will continue to be written about Lou's output in the 70s, and rightly so. This set is particularly amazing in that it follows the artful highpoint/financial failure that is Berlin – so Lou is doing the rock & roll star ... LP, Vinyl record album
11 tracks: "Satellite Of Love", "Wild Child", "I Love You", "How Do You Think It Feels", "New York Telephone Conversation", "Walk On The Wild Side", "Sweet Jane", "White Light/White Heat", "Sally Can't Dance" ... LP, Vinyl record album