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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Tenors can't get any more conclaved than this – as the record brings together 4 players on the instrument in a great match from 2 of the best sides of 50s jazz! John Coltrane and Hank Mobley represent the more open, soulful side of the spectrum – and Al Cohn and Zoot Sims the tighter, ... LP, Vinyl record album
A monster – and one of the best jazz funk albums ever on Prestige! Rusty Bryant blows his top off on this one – taking his tenor stylings out of the more staid R&B mode of earlier years, working with some younger heavy funk jazz players to craft a brilliant album of long searing ... LP, Vinyl record album
Mal Waldron's first two records for Prestige – Mal One and Mal Two – are among some of the finest records that the label put out in the late 50's. They're also some of Waldron's most compelling work, and they have a sharpness that's often missing from his later stuff, which usually ... LP, Vinyl record album
One of the most open-ended and laidback records ever from Oliver Nelson – a set that gets away from the tighter arrangements of other albums, and really lets you concentrate on his saxophone work! The album's got a really wonderful feel throughout – easygoing and soulful, with work by ... LP, Vinyl record album
One of the most open-ended and laidback records ever from Oliver Nelson – a set that gets away from the tighter arrangements of other albums, and really lets you concentrate on his saxophone work! The album's got a really wonderful feel throughout – easygoing and soulful, with work by ... LP, Vinyl record album
Jug's big and bad here in tone – and the style is nicely complicated at times – a bit more open-ended and electric than before, with a sound that's almost like the shift that Stanley Turrentine was making during his years at CTI! There's still a bit of the previous Prestige funk in the ... LP, Vinyl record album
An excellent overview of Ammons' early years at Prestige – back when he was recording mostly 78s for the label, and king of the jukebox scene! The sides vary between bop, swing, and a bit of rougher R&B styled tunes – and players include Sonny Stitt, Duke Jordan, Benny Green, Bill ... LP, Vinyl record album
A great little album – one that features Groove playing in front of larger arrangements from Chess Records soul maestro Richard Evans – in a style that has the swinging power of some of Evan's best soul and jazz work at the Chicago label, and which makes for a slightly different ... LP, Vinyl record album
One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red ... LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album