This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock on ... CD
Killer stuff throughout – a classic session from the late 60s that has Wayne Shorter pushing into a searching, spiritual groove, but one that's still filled with all the taught electricity of his earlier recordings on Blue Note! Shorter's accompanied by youthful modernists like James ... CD
A bit of a hint of the 70's work by Shorter – as he plays here with a slightly larger group, and a bit of an electric sound. Sonny Sharrock and John McLaughlin play guitar, Airto plays percussion, and Maria Booker sings vocals on a rendition of "Dindi" – and this complicted ... CD
An album of incredible beauty – and one of the key early sides that Shorter cut for Blue Note! It's nearly impossible to describe the genius of these records without playing them – and upon playing, all words disappear in the brilliance of Shorter's incredible tone, solo imagination, ... CD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing trumpet in a cool tone that's a ... CD
About as classic as you can get for Sonny Rollins during the 50s – from the cover right down to the incredible solos on the set! The album's got Rollins really stretching out – still not finding the freer trio mode of his Vanguard session, but still bringing in plenty of fresh ideas in ... CD
Doin Allright? Dexter's doing great on this one – working with that fully mature Blue Note sound of his – a rich approach to soloing that keeps the tracks cooking with excitement! The group on the set's an all-star lineup that includes Freddie Hubbard on trumpet, Horace Parlan on ... CD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing trumpet in a cool tone that's a ... CD
A fantastic session by this groundbreaking modernist – essentially a piano trio album, but recorded with two bass players – Richard Davis and Eddie Kahn – one of whom plays rhythm, the other who solos along with Hill – which makes for a really amazing sound – ... CD
A stone killer from the early Blue Note years of tenorist Joe Henderson – a key example of why the label had so much faith in him right from the start, and why Henderson's horn was quite different than so many other players of the 60s! There's a sharp edge here, but there's also a soulful ... CD
Classic early work by Joe Henderson – very well titled with the use of "mode", given the new sound and new direction Henderson was taking his tenor in the 60s! The album's got Joe working at the head of an all-great lineup that includes Lee Morgan, Curtis Fuller, Cedar Walton, and ... CD