This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Directed by trumpeter Scotty Barnhart – with guest vocals from Carmen Bradford and Jamie Davis. Tracks include "Who, Me?", "Four, Five, Six", "Flute Juice", "April In Paris", "Easin' It", "Blues In Hoss Flat", "Doodle ... CD
The Basie Orchestra pays tribute to their departed Count – and the groove here is every bit the sort you'd expect from the ensemble at their height! Frank Foster's in the lead with the group at this point, and he's definitely back in the Basie bag, after stretching out soulfully on his own ... CD
A post-Basie session from the Count Basie Orchestra – recorded after the Count had passed away, and Frank Foster returned from his wayward years to assume leadership of the group! The sound here is very much in the best Basie mode of the late 50s and early 60s – extremely fluid large ... CD
Tight later work from Jo Jones – a set that's got all the swinging energy of the early years, but also a relaxed vibe that's mighty nice too! There's a good quality to the recording – as it's one of those killer 70s sessions done for Denon in Japan – and Jones is clearly in ... CD
One of the few albums we've ever seen as a leader from Eddie Gomez – the bassist whose work with Bill Evans and others was such a huge contribution to jazz in the late 60s and 1970s! Eddie's working here in a trio format that's a fair bit more harder-grooving than his years with Evans – ... CD
Haunting early work from Japanese reed legend Sadao Watanabe – an artist who makes the record way more than just a set of familiar ballads! True, the set's a bit more mellow than some of Watanabe's other work of the time – but his work on alto and flute really have this subtle sort of ... CD
Warm and lyrical solo piano work from Tommy Flanagan – a Japanese only session from the mid 70s, and one of the first of a long run of well-produced dates that Flanagan would do for that market! The format's even more intimate than the relaxed setting of some of Tommy's American dates of the ... CD
With Harold Baker, Taft Jordan, Wallace Jones, and Ray Nance on trumpet, Rex Stewart on cornet, Joe Nanton and Juan Tizol on trombone, Jimmy Hamilton on clarinet, Johnny Hodges and Otto Hardwick on alto, Elmer Skippy Williams on tenor, Harry Harney on baritone, Junior Raglan on bass, and Sonny ... CD