This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
Sweet 70s funk from George Benson – an album that's a bit smoother than some of his earlier work, but still free from the commercial polish of his later hits! Maestro David Matthews is at the helm for this session – and most numbers have a full backing from players who include some of ... CD
Pretty mellow stuff from George Benson, but with some nice moments! Don Sebesky handled the arrangements for this set of larger backings – but Benson's guitar is right out front, hitting some super-dope lines at the best moments, stretching out from the warm Fender Rhodes or horn heavy ... CD
George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's ... CD
An unusual album from the tail end of the 50s – financed by wealthy jazz afficionado Ted McNabb – and featuring Zoot Sims, Al Cohn, Herb Geller, Urbie Green, Nat Pierce, Milt Hinton, and Osie Johnson on a set of old fashioned, swinging, big band tracks. CD
An amazing second CTI set from Freddie Hubbard – one that takes off nicely from Red Clay territory, and starts to hit an even funkier mode! The tracks here are all relatively long, with a huge amount of solo space for Freddie on trumpet, Joe Henderson on tenor, George Benson on guitar, and ... CD
A stunning 70s set from the great Paul Desmond – one that has the tremendous alto player finding an even fresher groove than before – yet all without losing any of the class and control that made him so great in the 50s and 60s! Don Sebesky arranged the set, but most of the ... CD
Excellent late work by Illinois Jacquet – right on a par with his best recordings for Verve, and a great example of the strength of his tenor playing, which didn't always surface as well in large group recordings. The record features Jacquet in the company of a number of smaller groups ... CD
One of the most wonderful Phil Woods albums ever! No kidding – this is amazing! Woods played on lots of other records – and often in settings that made you wonder why people thought he was so great – but on this one, he's totally in the spotlight, fronting a mellow easy quartet ... CD