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Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great little album from Clarence – recorded after his years at Atlantic, but still with the Fame Studios team, and very much in a warm Muscle Shoals groove! Clarence is stretching out a bit more here – sounding more confident, and less self conscious than on some of his earlier ... LP, Vinyl record album
A perfect example of the old adage that the funkier the band's name is, the less funky their music will be! Not that the group's really that bad or anything – they're just not the all-out party jam you'd expect from an ensemble with "ebony" and "funk" in their name. The ... LP, Vinyl record album
A 16 track compilation of the genius 60s soul work of Garnet Mimms – one of those singers we'll treasure for years, and the kind of talent that first started us digging for rare soul! Garnet's got an incredible voice – both rough and smooth at the same time, recorded on the east coast, ... LP, Vinyl record album
Post-Polygram, but still some nice funkiness from this classic 70s group. The record's got much of the feel of their early 70s work – with lots of tasty electric keyboards, soulful percussion, and an always-driving groove. Titles include "Disco Lypso", "Honey Butt", ... LP, Vinyl record album
Fantastic! The lost link in the Chicago soul scene of the 60s was Baby Huey – and he was a pretty darn big link too, if you've ever seen him in pictures! Weighing in at about 300 pounds, Baby Huey was sort of a rockin' soul star who played clubs on both sides of the city, to audiences of ... LP, Vinyl record album
A stunner from the Ruffin Brothers – their one album as a duo, 1970's underappreciated I Am My Brother's Keeper! Here Jimmy and David Ruffin lay down a warm, wonderful set of great late 60s Motown grooves – emotive covers and a bunch of great originals with nice touches of ... LP, Vinyl record album
Gene Page at the height of his 70s powers – using all the talents he forged as a background artist for other soul talents, and all the majesty he added to his soundtrack work – all focused nicely into a sweet set of warmly soulful grooves! The style's a bit clubby, but also has some ... LP, Vinyl record album
A great set of Stevie's best tracks for Motown! 3 LPs deep, with 40 tracks in all, mostly from the late 60s, with a handful of numbers from the early 70s, including a few goodies that are getting tougher to find on wax. Includes "Hey Love", "Angie Girl", "Yester-Me, ... LP, Vinyl record album
Another nice one from Sade – perhaps not as edgey as some of her earlier work, recorded in a slightly smoother style, but still quite nice to our ears – as Sade's always been a pleasure, no matter what the setting! Includes the nicely grooving "Nothing Can Come Between Us", ... LP, Vinyl record album
Righteous vocals from Mary McCreary – recorded here with some equally righteous help from DJ Rogers! Rogers handles production and helps with arrangements on the set – and he does a great job of pulling Mary away from some of the more cliched modes of the Shelter label – helping ... LP, Vinyl record album