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I Am Now (2nd Pressing)

LP (Item 6449) RCA, 1977 — Condition: Very Good+
Originally: 8.99
The beginning of an amazing run on RCA for vocalist Jon Lucien – working here in a sublime blend of styles that's way beyond simple soul or standard jazz! Lucien's got a sound that's unlike anything we can think of – apart from the countless imitators who've tried for his style in recent years – and this initial RCA album is a musical masterpiece that's filled with joy, life, and emotion – all without any of the cliches that such a reference might imply! Arrangements are by Lucien, with some occasional help from Horace Ott and Stanley Rubinstein – all a swirling blend of strings, jazz, and some groovier rhythms at the bottom that have made this record an underground favorite for years. Titles include a killer version of "Who Will Buy", done as a breezy jazz groover, in a way that's made it a classic jazz dance track for years – plus "I Am Now", "How Insensitive", "Love For Sale", and "Dindi" – all given the lush, lovely, swirling, soulful Lucien sound! This is the second pressing – with Jon's face in an inset image on a dark cover.  © 1996-2023, Dusty Groove, Inc.
(Cover has a cutout hole, a split spine, some ring & edge wear.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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