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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
One of Joe's best records of the 60s! Jump For Joy is a nicely relaxed and swinging studio session – with arrangement by Jimmy Jones and Oliver Nelson, two talents who again bring out the best in Joe – a groovy and soulful sound that's often not captured as easily on record. Titles ... LP, Vinyl record album
One of Joe's excellent albums from the 60s for RCA – set to backings from Jimmy Jones and Oliver Nelson, both of whom nicely update Joe's sound for the 60s! The tunes are mostly older numbers that recall Joe's earlier years, particularly those with Basie – but the arrangements are a ... LP, Vinyl record album
Joe Williams was really reviving his career as a vocalist at this point – working with the Thad Jones/Mel Lewis big band on a few well-selling records, and on this smoother set with arrangements by Horace Ott. The overall feel is kind of in a swinging Grady Tate mode, with jazziness ... LP, Vinyl record album
A great session that features Jimmy Rushing singing in the rootsy style of his early Kansas City recordings, with backing by a group that includes the legendary Pete Johson on piano, plus Rudy Powell on alto, Emmett Berry on trumpet, Buddy Tate on tenor, and Freddie Greene on guitar. Titles ... LP, Vinyl record album
A classic from Jimmy Rushing – recorded at a time when he was really finding a new audience for his vocals! In a style that Columbia was using on a number of sides in the late 50s and early 60s, Jimmy and Buck do a bit of educatin' – and trace a progression of jazz styles from New ... LP, Vinyl record album
Titles include "For You For Me For Evermore", "In The Wee Small Hours", "I'll String Along With You", "Delovely", and "Down In The Depths". LP, Vinyl record album
(Mono rainbow label pressing. Cover has light wear, yellowing from age, thin stains at the top seam and spine, and is bumped with a small split at the bottom right corner.)LP, Vinyl record album
A near-lost album from Sammy's years at Reprise – and an album that's got that nice bouncey style that the label was using with Dean Martin and Frank Sinatra in the 60s! A lot of the thanks goes to producer Sonny Burke, who inflects Sammy's vocals with a punched-up set of rhythms that makes ... LP, Vinyl record album
From its booze-soaked title cut, to its haunting selection of lonely ballads like "Midnight Sun" and "Stranger Called The Blues", this is one of the most fantastic vocal jazz albums of all time – and a record that we'd recommend instantly to anyone! June Christy has an ... LP, Vinyl record album
The sweeter side of Gloria Lynne – a set of dreamy numbers, sad tunes, and ballads, with backings by Leroy Holmes. Titles include "Please Be Kind", "Bali Hai", "A Hundred Years From Today", "My Prayer For You", "Intermezzo", "Long Ago ... LP, Vinyl record album