This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Understated genius from McCoy Tyner – and exactly the sort of record that shows why his catalog is always worth searching out! The album's got a lot more subtlety than his immediate post-Coltrane sides of the 70s – righteousness maybe a bit more on the backburner, but not so much so ... CD
2 tasty gems from Johnny Lytle – one of the hippest soul jazz vibists you'll ever get a chance to hear! Both albums feature Johnny working in his famous trio with Milt Harris on organ and Peppy Hinant on drums, augmented on some tracks by Steve Cooper on bass and Ray Barretto on congas. The ... CD
A set recorded in the 90s, but one that brings together a host of players who recorded for Riverside Records in the late 50s and early 60s! The core sound is right in keeping with the label's best mix of hardbop, modern, and soul jazz at the time – and the ensemble is mighty tight, and ... CD
A very interesting live set from 1969, and one that captures Stan Getz hanging in the balance between a number of different eras! He's playing here in a vein that's very similar to his work on the classic Sweet Rain album – with wonderfully rich emotional solos, filled with pain and longing ... CD
A set that brings together half small group sessions, and half large group tracks – with Bird fronting orchestras arranged by Joe Lipman and Gil Evans. The small group tracks are both quartet ones – with either Hank Jones or Al Haig on piano – and titles include master takes and ... CD