CD, LP, Vinyl record album cover art
View larger image       Image note

Story Of Jimmy Preacher Ellis 1963 to 1972

CD (Item 639886) Tramp (Germany), 1960s/Early 70s — Condition: New Copy
Out Of Stock


4.90 11
Also available
Jimmy Preacher Ellis — Story Of Jimmy Preacher Ellis 1963 to 1972 ... LP 16.99

Heavy funk from the great Jimmy Ellis – billed here with a "preacher" in his name, which is a great indication of the spiritual soul going on in the music! Jimmy's grooves here are definitely secular, but there's a depth that definitely echoes some gospel roots too – mixed nicely with some sharp jazzy changes in the instrumentation, and given a sweet funky 45 twist throughout! Some of the best cuts here are in that great space between late R&B and early soul – but often still have the funkier bite of later years too – a perfect blend that makes the music here really stand out, and which makes the set essential for fans of all things funky. Titles include "Cry No More", "Go Head On", "Kiddio", "Looking Through The Eyes Of Love", "Tough Competition", "Puttin It On Your Mind", "Work With What You Got", "Baby I Love You", "Happy To Be", and "Don't Tax Me In".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:


This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.


  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.


This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.


Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

You might be interested in

CD, LP, Vinyl record album cover art
Good Feeling
Legere (France), 2015. New Copy
Contemporary work from Jay W McGee – a Detroit singer with many years of recordings under his belt – including early 80s modern soul, and some important later house work as well! This album showcases Jay in both of those styles, and has this great indie soul vibe throughout – ... CD
CD, LP, Vinyl record album cover art
Glades/Athens Of The North (UK), Mid 70s. New Copy
One of the most unique albums to ever come out of the Miami soul scene of the 70s – a sublime set of work that we'd easily rank right up there with the best material of the time from Donny Hathaway or Stevie Wonder! Milton Wright has a really jazzy groove to his music – and he mixes ... CD
CD, LP, Vinyl record album cover art
Story Of Lenis Guess
Tramp (Germany), Late 60s/Early 70s. New Copy
Funky soul from Virginia's great Lenis Guess – best known as the leader of the Raw Soul combo, but also a hell of a singer on his own – as well as a producer, arranger, songwriter, and label owner too! This massive package showcases all of Guess' mighty talents – and brings ... CD
CD, LP, Vinyl record album cover art
Chess/Kent (UK), Late 60s. New Copy
Chicago meets Muscle Shoals – a monumental moment in late 60s soul that's never fully been given its due before! The set brings together work from the late 60s period in which Chicago's Chess Records issued a slew of incredible singles recorded at Fame Studios in Muscle Shoals – deep ... CD
CD, LP, Vinyl record album cover art
Disco Connection
ABC/Stax (UK), 1975. New Copy
Don't hold the "disco" in the title against Isaac – because the album's still a really nice one, and by no means a cheap sell-out affair! The set was recorded in Memphis, with backings by the classic Movement combo – and although the tunes do have a "sweetened" ... CD
CD, LP, Vinyl record album cover art
Kent (UK), 1970s/Early 80s. New Copy
One of the most supremely soulful compilations we've heard in years – and easily the deepest in this series to date! From the start, Kent's Masterpieces Of Modern Soul collections have been all about bringing rare gems to fresh ears, and they've really outdone themselves here. A solid ... CD
CD, LP, Vinyl record album cover art
Westbound (UK), 1983. New Copy 2CD
A nice live snapshot of a later P Funk incarnation, circa 1983 – with players like Dennis Chambers and Michael Hampton aboard the mothership with Clinton's family of funk all stars! The rest of the crew includes includes stalwarts Bernie Worrell, Eddie Hazel, Blackbird McKnight, Maceo Parker ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Late 30s/1940s/1950s/1960s/Early 70s. New Copy
A weird idea for a collection, but a great one too – a set that brings together a batch of train-themed tunes from the 60s, and uses the transportation narrative as a way to unlock ideas of personal freedom and social change! The "train" here isn't just a gimmick – and ... CD
CD, LP, Vinyl record album cover art
Motown/Kent (UK), 1969. New Copy
A never-heard album from this excellent Detroit vocal group – recorded for Motown at the end of the 60s, but appearing here for the first time ever – and compiled with lots of bonus tracks from the vaults! The Fantastic Four never hit the bigger heights of some of the big Motown male ... CD
CD, LP, Vinyl record album cover art
Future Now
Fantasy/BGP (UK), 1979. New Copy
A wonderful album from Pleasure – a group who were already great before, but who really seem to hit a great new level with this late 70s classic! Pleasure started out as a sweet jazz/funk combo with a great edge to their music – but by the time of this set, they'd actually gotten even ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Mid 60s. New Copy 2 CDs
Legendary work from one of the greatest soul labels ever – a tiny Alabama imprint that helped bring the Muscle Shoals sound to the masses – thanks to the work of producer Rick Hall, and his crack band of session players! The music here set a whole new standard for soul in the south ... CD

⇑ Top