This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A crackling date from Jackie McLean – a set that's much more hardbop than some of his other Blue Note work – filled with fire, far from the 50s – and really pointing the way towards his new directions to come! There's a hint of modernism in the mix, mostly on the tone from McLean' ... CD
An excellent batch of soulful bop tracks – recorded as Nat's first – and featuring a group that includes brother Cannonball, plus Horace Silver, Roy Haynes, and Paul Chambers. The set's got a lot more fire than some of Nat's recordings from a few years later, probably because of the ... CD
A surprisingly enchanting album of piano work from Charles Mingus – one of a few he cut on the instrument, and quite different than his regular work on bass! Unlike the bold, angry role that Mingus would take on as a leader, the approach here is very personal and introspective – long ... CD
Great late spiritual work from the AACM – with Joseph Jarman on alto, Kalaparusha Maurice McIntyre on tenor, Steve Colson on piano, Malachi Favors on bass, and Kahil El'Zabar on drums and percussion! CD