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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching ... LP, Vinyl record album
An obscure Italian session from guitarist Barney Kessel – with Giovanni Tommaso on bass and Daniel Humair on drums – and a set of unusual tracks that include "Reflections In Rome", "Caliente Blues", "Carlo's Dream", "The Opener", "Free ... LP, Vinyl record album
A landmark album from Sonny Rollins – one that marked his comeback in the early 60s, after a brief period of retirement, and which also initiated a string of incredible recordings with guitarist Jim Hall. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowin ... LP, Vinyl record album
Easy grooving magic from Paul Horn – a record that has his exotic flute work paired up with arrangements by Oliver Nelson – making for a session that's got a lot more punch than usual for Horn – in a mode that we like quite a lot! The flute's in the lead on all tracks, but the ... LP, Vinyl record album
A massively sweet groover from Lonnie and the Cosmic Echoes – smoother and warmer than some of his earlier albums, with a really soulful fusion vibe! Lonnie plays acoustic piano and "electric colorations" – working with a group that includes brother Donald on flute and vocals ... LP, Vinyl record album
Reed player Hal McKusick has always been one of our favorite talents from the 50's, but he always seems to be overlooked by the history books because he's not easy to fit in with any of the larger schools of jazz. With his beautiful measured style on alto and clarinet, he certainly wasn't a bopper ... LP, Vinyl record album
A very cool hi fi album from the 70s – done with a mixture of big band jazz, a bit funky at times, and fuller strings! There's a great dynamic range to most tunes – and titles include the extended "Audio Symphony No 2", plus "Bridge Over Troubled Water" and "Tam ... LP, Vinyl record album
One of the key records from the Cadet/Concept scene in late 60s Chicago – a tremendous collaboration between pianist Ramsey Lewis and arranger Charles Stepney – and the kind of record that took soul and jazz to a whole new level! Ramsey on his own is great enough at this point – ... LP, Vinyl record album
A wonderful reunion of Pharoah Sanders and vocalist Leon Thomas – and a set that captures a lot of the same energy as the pair's previous record – Karma! Thomas' vocals are in wonderful form for the set – stretching out soulfully on the extended classic "Hum-Allah-Hum-Allah-H ... LP, Vinyl record album