This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
2 more of the lost albums by Chicago's supreme soul jazz hardbop group from the late 50's/early 60's! The MJT grooves like nobody's business, thanks to a core rhythm group that includes Harold Mabern on piano, Walter Perkins on drums, and Bob Cranshaw on bass. Add to the mix a young Frank ... CD
A screamin' set of organ tracks by the legendary Baby Face Willette – one of the best organists of the early 60s, with a sound that's a lot madder than most! This album's one of two that Baby Face cut for Argo Records in Chicago – and it's a firey trio session with Baby Face wailin' ... CD
A pair of Hammond jazz classics from organist Sam Lazar – back to back on a single CD, with rare bonus tracks too! First up is Space Flight – a tight batch of organ groovers with a raw R&B feel, recorded by the obscure St Louis organist Sam Lazar – with a very young Grant ... CD
Landmark work by one of the greatest jazz outfits of the early 60s! Art Farmer and Benny Golson were both known as well-composed players during the 50s – strongly soulful, but often with a fine sense of arrangement that usually tended towards the lyrical side of things. With this group, ... CD
Basie may be his boss, but Frank Foster's definitely his own man – especially working here on this hip little session for Chess Records – a small group date with some key members of the Count's ensemble! There's a bit of the Basie sense of arrangement in the tunes – especially in ... CD
Rick Margitza on tenor and soprano saxophones, Manuel Rocheman on piano, Peter Giron-bass and vocals Jeff Boudreaux on drums, Oliver Louvel on guitar and banjo, Xavier Desandre Navarre on percussion, and Eleanor, Karen and Doris Margitza on vocals. CD
Includes the songs "Lullaby Of The Leaves", "Imagination", "How Long Has This Been Going On", "My Old Flame", "On Green Dolphin Street", "Lush Life", "Goodbye", "What Is There To Say", "Little Girl Blue", ... CD
2 of Pepper Adams' best late 50s outings – back to back on a single CD! First up is the Pepper Adams Quintet album recorded for Mode – a stripped-down quartet session that has him blowing in a very open-ended mode – quite a difference from some of his more tightly arranged sets! ... CD
One of our favorite albums of all time from the legendary saxophonist Ornette Coleman – an essential showcase for his early harmelodic concepts, but with a vibe that's maybe more pulsatingly rhythmic than on other albums from the time! Ornette plays his incredible plastic alto sax, which has ... CD
The fourth in the MPS reissue series of long unreleased late 60s recordings from the home of producer/engineer Hans Georg Brunner-Schwer finds Oscar Peterson in a glorious solo piano mode! All of the recordings in the series were from very relaxed, loose sessions that were some of Peterson's ... CD
An incredible record – and one of the real high points in the career of trumpeter Donald Byrd! The album's the third one he cut with producer/arranger Larry Mizell – and of all Byrd's work with Mizell, this one's the funkiest, the tightest, the most soulful, and the most perfectly ... CD