This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A cool collection of bluesy work from Red Garland – material pulled from the pianist's famous late 50s years on Prestige Records, including a number of cuts that weren't issued at the time of release! Some of the tracks here feature Garland working with a trio, while others have a horn ... CD
Red Garland's piano was certainly humming strong at the time of this session – as Red's trio were one of the key rhythm components of many Prestige albums of the late 50s, but also a real starring act on their own! The album's got a laidback, almost mellow feel that's a bit different from ... CD
Obscure material by Garland – sides recorded in 1958, but not issued until this 1970 LP! The tracks are from the richest point in Garland's recording career, and were done with the great rhythm section of Paul Chambers on bass and Art Taylor on drums. The record's got some nice long tracks, ... CD
Obscure material by Garland – sides recorded in 1958, but not issued until this 1970 LP! The tracks are from the richest point in Garland's recording career, and were done with the great rhythm section of Paul Chambers on bass and Art Taylor on drums. The record's got some nice long tracks, ... CD
Simple and soulful elegance from the great Red Garland – prime mid-50s material for Prestige, recorded here with incredible backing from Paul Chambers and Art Taylor! The tightness of the trio is amazing – but never so much so that it gets in the way of Red's warmly introspective modes ... CD
Simple and soulful elegance from the great Red Garland – prime mid-50s material for Prestige, recorded here with incredible backing from Paul Chambers and Art Taylor! The tightness of the trio is amazing – but never so much so that it gets in the way of Red's warmly introspective modes ... CD
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly ... CD
Bennie Green blows his horn – and really blows us away in the process! Green emerges here as one of the most biting trombonists of the postwar years – a player who can handle his instrument with a deftness usually heard more on a trumpet – a sense of phrasing that's incredibly ... CD
Great late work by Jug and Sonny – recorded as one of those excellent concerts thrown by Baltimore's famous Left Bank Jazz Society. The format is simple – with both soloists up front, and a crack rhythm section that includes Cedar Walton, Sam Jones, and Billy Higgins – and the ... CD
One of the last times that Ammons and Stitt were reunited in a live setting – part of the famous series of recordings done by Baltimore's Left Bank Jazz Society, recorded with a core trio of Cedar Walton, Sam Jones, and Billy Higgins. Etta Jones sings on two of the album's seven tracks ... CD