This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
(Mid 70s issue. Includes the booklet and individual sleeves. Box has some wear at the top right corner and bottom edge, with light blemishes in front, and small blemish spots in back.)LP, Vinyl record album
(Mid 70s issue. Includes the booklet and individual sleeves. Box has some wear at the corners and some light blemishes and small worn spots.)LP, Vinyl record album
One of Duke Ellington's standout sides for Columbia – a strong recording that revisits many of the best elements of his earlier work, and offers up some more sophisticated scoring for the 50s – thanks to extended track length in the LP generation! The tunes here are older ones, but ... LP, Vinyl record album
The album's a bit less "historical" than you might guess from the title – at least at the time it was issued in the mid 50s! The material is from Chicago sessions recorded in 1956 – unusual non-Columbia material for the period, featuring the Ellington group working in a ... LP, Vinyl record album
With Shelton Hemphill, Harold Baker, Francis Williams, and Wilbur Bascomb, and Ray Nance on trumpets; Claude Jones, Lawrence Brown, and Tyree Glenn on trombones; Jimmy Hamilton on clarinet and tenor; Johnny Hodges and Russel Procope on alto; Al Tears on tenor; Harry Carney on baritone; Fred Guy on ... LP, Vinyl record album
Really hard-jamming work from keyboardist Brian Auger – the first of a 2-part live set from the US, and easily some of his greatest work on record! The tracks are all very long and stretched out here – an extrapolation of the territory Auger was already exploring on studio sides, taken ... LP, Vinyl record album