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We use the all-encompassing grade "Used CD" for non-new CDs because we only buy and offer used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use, but if there are significant details or defects we describe the item's condition (just like we do with LPs), so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws. After you receive a used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly. If it does not, you can
request a return
for a full refund.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or packaging details,
or an oddity that is the only wrong thing about the CD.
This might include, but isn't limited to, scratches, tracks that skip,
case/insert damage or wear, or strictly cosmetic flaws.
A real high point in the famous 60s run of albums by Hammond hero Jimmy Smith for Verve Records – a key collaboration with arranger Lalo Schifrin, who brings a great blend of jazz and soundtrack styles to Jimmy's famous groove on the Hammond! Lalo's backings are totally great – with ... CD
A sweet little quartet date – in case you couldn't tell from the title. Fourmost features Stanley Turrentine on tenor, Kenny Burrell on guitar, and Grady Tate on drums plus vocals on "My Funny Valentine". CD
A surprisingly nice little album – a Jimmy Smith Blue Note session dedicated to Fats Waller, one of the first jazz musicians to work out his skills on the organ! Jimmy's working with a tight trio that includes Quentin Warren on guitar and Donald Bailey on drums – and although Waller ... CD
Jimmy Smith at the organ – and already very much at the top of his game – as an early record like this not only exposed the world to the talents of the young keyboard wizard, it also helped the Hammond find a whole new place in the world of jazz! The set's one of a flurry of crucial ... CD
Early work from Jimmy Smith – raw Hammond grooves from some of the first few years of the organ's use in jazz! Jimmy's working here in trio formation – shifting between bop and ballad modes with a trio that includes Eddie McFadden on guitar and Donald Bailey on drums (Art Blakey makes ... CD
Jimmy Smith heard in the kind of setting that spawned him – playing live at Delaware's Club Baby Grand – just the sort of smoky little jazz room that initially fostered his talents! The liveness of the set brings a really nice edge to the album – a sound that's grittier than some ... CD
Jimmy Smith live was a killer – especially in the early days, when this one was recorded! Back in the late 50s, when Jimmy was shocking the world with his fantastically creative approach to the organ, Blue Note cut some of the first strong-selling live albums by following Jimmy to the clubs ... CD
A strange record, and pretty darn goofy – but proof that the Jimmy Smith/Oliver Nelson team could tackle just about anything and make it come up hard and swinging! The album has Nelson arranging a jazz version of Prokofiev's Peter & The Wolf, with Smith soloing out front on most tracks, ... CD
Proof that at his start, Jimmy Smith had a greatness that knew no bounds – as the album's one of a few that Blue Note recorded in the late 50s, but never issued until many years later – even though they had already released so many amazing records from this period! The set has Jimmy ... CD
One of the key classics from the Jimmy Smith years at Blue Note Records – a really groundbreaking time for the Hammond organ in jazz, as Jimmy helped take it from backrooms in bars to center stage of jazz with a record like this! The album's about as iconic as you can get for Jimmy at the ... CD
A jazz treasure chest – an extraordinary bounty of Bird on Verve! You get absolutely everything here, master takes, alternate takes, loads of previously unissued material, rehearsals, incomplete takes, you get it all! Sidemen include Benny Carter, Kenny Clarke, Miles Davis, Roy Eldridge, ... CD
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same ... CD