Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Black Caesar

LP (Item 6359) Polydor, 1973 — Condition: Very Good-
Gatefold

James Brown gets even better than before – working here in the setting of a blacksploitation soundtracks – which makes the album a doubly funky outing from the 70s! James is a master throughout – beating Isaac Hayes and Curtis Mayfield at their own games – as he works with super-tight work from the JBs, plus a bit of vocals from Lyn Collins – all in a massive batch of tracks that further expand his funky palette! Unlike other blacksploitation soundtracks, which usually have one or two key funky tunes, this one's almost entirely overflowing with gems – including Lyn Collins on a version of "Mama Feelgood" that's worth the price of the record alone! The whole thing's great, though – and titles include the classic "Down & Out in New York City", plus "Blind Man Can See It", "Sportin' Life", "The Boss", "Dirty Harri", and "Chase".  © 1996-2020, Dusty Groove, Inc.
(US pressing with Stearling stamp. Cover has edge wear, some creases, and sticker remnants on front.)

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


James Brown

I Got The Feelin'
King, 1968. Very Good
Funky funky funky! A nice one on King that shows the direction James Brown would take in the 70s – a bit harder and more funky than before, with even more of a focus on the instrumental talents of the ensemble! The band here is super-sharp – playing with that tightly focused, highly ... LP, Vinyl record album
King, 1969. Very Good Gatefold
A bomb! The title of this one says it all – a burning anthem of pride and power, issued in 1969, at the end of one of the most troubling decades in America. James answers all the Uncle Tom cries from his critics – and comes up with "Say It Loud", an instant chant that was ... LP, Vinyl record album
Smash, 1964. Very Good- Gatefold
One of the stranger James Brown albums from the 60s! The record is one of the only vocal albums he cut for the Smash label – and it was issued during a time when James was strangely contracted to two labels – King and Smash. His dual contract situation was that he couldn't record any ... LP, Vinyl record album

James Brown

It's A Mother
King, 1969. Very Good
A definite mother from James Brown – the kind of all-funky album that few of his contemporaries could ever hope to match! If you've ever doubted the sheer raw power of James at the end of the 60s, the first few notes of this one will definitely make you a convert – and the stretched-out ... LP, Vinyl record album
King, 1971. Sealed
A legendary bit of fuzzy funk from James Brown – an important collaboration with the mighty Dave Matthews, who brings a more tripped-out feel to the record than some of James' other King sessions of the time! Matthews adds in lots of psych-influenced guitar – used very different than ... LP, Vinyl record album

James Brown

People
Polydor, 1980. Near Mint-
Late 70s James, and a little bit more up-tempo and clubby funky, but still some decent stuff from The Godfather. Includes "Don't Stop the Funk", "Let the Funk Flow", "Stone Cold Drag", and "Are We Really Dancing". LP, Vinyl record album
Smash, 1966. Very Good+
Possibly the best instrumental album that James Brown cut for Smash! Unlike some of the other albums, this one features a set list that's mostly originals – and a number of tracks have a longer groove than usual, which lets James and the band stretch out instrumentally. Titles include " ... LP, Vinyl record album
King, 1967. Very Good+
Raw soul, indeed – a term that could have been coined for James Brown's vocal approach, and which probably makes one of its first appearances here on a record! The album's kind of a grab bag of earlier sides that James recorded for King, but it's a perfect showcase for his amazing sound in ... LP, Vinyl record album
Smash, 1965. Very Good+
Funky instrumentals – with James on organ, grooving hard in a raw 60s R&B mode! Lots of the tracks are versions of James' big 60s hits – like "Papa's Got a Brand New Bag (parts 1 & 2)", "Try Me", and "Out of Sight" – but there are also some ... LP, Vinyl record album

James Brown

Payback
Polydor, 1973. Very Good 2LP Gatefold
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same ... LP, Vinyl record album

Millie Jackson & Isaac Hayes

Royal Rappin's
Polydor/Spring, 1979. Near Mint-
A fantastic update of earlier soul duo modes – served up here by two of the most badass soul singers of the 70s! The album's got the smooth flow of Isaac Hayes' late 70s work – a bit of clubby rhythms at times, some soaring orchestrations at others – all in a mode that opens up ... LP, Vinyl record album
Polydor, 1978. Near Mint-
... LP, Vinyl record album
 



⇑ Top