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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the lasting classics from Harry Partch – a really Moondog-like record that's put together from a host of unique instruments designed by Partch himself! Although a somewhat serious piece in presentation, there's a really organic feel going on here – lots of spare, almost eerie ... LP, Vinyl record album
The classic Nonesuch LP of Xenakis' Electro-Acoustic Music, featuring performances of pieces from 1957 through 1962, including "Bohor 1", "Concret P-H II", "Diamorphoses II", and "Orient-Occident II". We couldn't even begin to describe the beauty and power ... LP, Vinyl record album
Despite the fact that this album was released on a label that was mostly dedicated to rock, the record's still a very "out" batch of work by Stockhausen, and one that stands as one of his greatest from the mid 70s. He plays a number of odd instruments here with 2 different small ... LP, Vinyl record album
This is one of Mort Garson's craziest moog records ever, or as the label says: "Moog Goes Supernatural with Eerie Electronics". Ostensibly a satanic sort of thing, this is actually a wild cool mix of moog and early synthesizer effects, over a bunch of original compositions with no sorts ... LP, Vinyl record album