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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Funky funky funky! A nice one on King that shows the direction James Brown would take in the 70s – a bit harder and more funky than before, with even more of a focus on the instrumental talents of the ensemble! The band here is super-sharp – playing with that tightly focused, highly ... LP, Vinyl record album
A bomb! The title of this one says it all – a burning anthem of pride and power, issued in 1969, at the end of one of the most troubling decades in America. James answers all the Uncle Tom cries from his critics – and comes up with "Say It Loud", an instant chant that was ... LP, Vinyl record album
A definite mother from James Brown – the kind of all-funky album that few of his contemporaries could ever hope to match! If you've ever doubted the sheer raw power of James at the end of the 60s, the first few notes of this one will definitely make you a convert – and the stretched-out ... LP, Vinyl record album
One of the grooviest of the James Brown instrumental albums recorded for Smash. Unlike some of the other weaker albums on Smash, this one's got a great batch of material, most of which are originals, and not weak covers of pop tunes. Plus, the tracks are longer than usual, which gives the band a ... LP, Vinyl record album
Raw soul, indeed – a term that could have been coined for James Brown's vocal approach, and which probably makes one of its first appearances here on a record! The album's kind of a grab bag of earlier sides that James recorded for King, but it's a perfect showcase for his amazing sound in ... LP, Vinyl record album
A masterpiece of funky soul – and one of the greatest albums of the early 70s! It all comes together on this one – funk, soul, politics, and production – and the record is still one of the clearest examples of James Brown's genius that you'll ever find! Recorded during the same ... LP, Vinyl record album
Obscure bit of soulful gospel produced by James Brown for King. Kay Robinson's got a great voice, and the arrangements are similar to some of James' hard soul albums from the time. There's no breakbeat cuts here, but the music is quite strong, and given the strength of the arrangements, you'll ... LP, Vinyl record album
One of those King Records collections that manages to pack a heck of a lot of tunes on a single LP – yet manages to make the whole thing still sound great! The work here is all from the early years of Hank Ballard's career – the kind of hard rocking and R&B tunes that first brought ... LP, Vinyl record album
A collection of tracks Watson recorded early in his career, mostly issued as 45s, with a different vibe than the work he'd become more known for. 10 tracks with a more raw R&B vibe to them, and as the liner notes say, "If you like Johnny Guitar Watson today. . . You'll love him yesterday!& ... LP, Vinyl record album