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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A sweet little swinger from Julie London – a record that goes for a bit of a Latin vibe, in ways that change things up nicely! Ernie Freeman handles the music, so the groove isn't really straight Latin – but more of a syncopated approach that's different from the smoother London sounds ... LP, Vinyl record album
Near-lost work from Julie London – a later album for Liberty, the kind of record that should have become a classic – had she not recorded so much at the time that they got buried in the rush of all her releases! Julie's working in a nice upbeat, swinging style – with some great ... LP, Vinyl record album
One of their groovy Sunshine Pop albums of the 60s – kind of a "give back" to the Beach Boys generation! Titles include "Happy Together", "Never My Love", "Homeward Bound", "Kites", and sublime versions of "California My Way" and ... LP, Vinyl record album
By the time of this early 80s recording, original Hi-Lo's member Gene Puerling had been crafting sly vocal jazz gems for MPS with the Singers Unlimited – mixing together smooth 70s production and slight electric instrumental touches, to get a sublime sound that took the harmony approach of ... LP, Vinyl record album
Classy supperclub vocals, with arrangements by Jimmy Jones, and some sweet polished singing from Bill Henderson. Most of the tracks are standards or pop – like "Am I Blue", "The More I See You", and "Twelfth Of Never – but there's a few nice lesser-known ones, ... LP, Vinyl record album
A later Capitol gem by June – where she reprisies a number of classics from her early years with Stan Kenton – new versions of late 40s tunes, done here with Pete Rugolo arrangements that go a good way towards showing how both he and June had grown during the 50s. Titles include "H ... LP, Vinyl record album