CD, LP, Vinyl record album cover art
View larger image       Image note

Keep Me In Mind – The Complete Imperial & Liberty Singles Vol 3

CD (Item 629207) Ace (UK), Late 60s — Condition: New Copy
Out Of Stock


5.00 10

The final third of Jackie DeShannon's legendary run for Imperial Records in the 60s – a smashing batch of singles that really represent some great musical growth at the time! On these sides, Jackie's even more soulful than before – definitely taking inspiration from the generation of singers who were singing her songs – and from the growing wave of girl vocalists who were working with more soulful styles too – especially those from the Brill Building scene. The result is a great blend of New York uptown and LA sunshine – a superb batch of tunes that really sums up the unique place that Jackie DeShannon had in modern music. Many tunes are originals by Jackie – and the set also features great tunes penned by Jimmy Holiday and Bobby Womack too – titles that include "Changin My Mind", "I Keep Wanting You", "What Is This", "Nicole", "Nobody's Home To Go Home To", "You Keep Me Hangin On/Hurt So Bad", "Brighton Hill", "Christmas", "Keep Me In Mind", "Bird On The Wire", "What Was Your Day Like", "Put A Little Love In Your Heart", "Always Together", and "Do You Know How Christmas Trees Are Grown".  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:


This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

As a rule, Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.


  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.


This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.


Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

You might be interested in

CD, LP, Vinyl record album cover art
Atlantic/Real Gone, 1973. New Copy
A stunning set of work from the great Jackie DeShannon – easily one of the hippest singer/songwriters of the 60s! Jackie rose to great fame in the previous decade, and by the 70s was recording for Atlantic Records – a great fit, given the soulful undercurrent in her music. Yet for ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Late 50s/Early 60s. New Copy
Searing, soaring guitars – a masterful assortment of rare tracks from the early days of surf music – and just the kind of cuts that will have you falling in love with the style all over again! These aren't just simple guitar instrumentals, or non-vocal versions of pop hits – and ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Early 70s. New Copy 2CD
Link Wray's early 70s creative comeback period – when he threw fans of his pioneering proto rock for a loop by making a turn towards a diverse mix of swamp rock and country soul! It's really compelling work, and a world away from the fuzzed out grit of his work with The Wraymen – still ... CD
CD, LP, Vinyl record album cover art
Big Beat (UK), Late 60s. New Copy
Great underground work from the LA scene of the 60s – material that was really cut in the shadows of bigger acts like the Beach Boys or Byrds – but still handled by top-shelf superproducer Gary S Paxton! The work here is a great discovery – lots of material that's never seen the ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Mid 60s. New Copy
Great groovy pop from the Italian scene of the 60s – a wealth of rare singles from female singers, almost all of whom we've never heard before! We'll confess to a long love and deep knowledge of female French singers from the time – but also admit a strong ignorance about most Italian ... CD
CD, LP, Vinyl record album cover art
Big Beat (UK), Mid 60s. New Copy
One of the most legendary groups of the 60s Texas underground – presented here in a really stunning little collection! The Zakary Thaks never cracked the charts as well as some of their contemporaries, but they've got a sound that's continued to be legendary all these many years later – ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Late 60s. New Copy
Think the genius of Brian Wilson was only tapped by his partners in The Beach Boys? Think again – because as this lovely little set will show, a huge amount of other artists drew from the songwriting genius of Brian Wilson in the 60s – not just to cover the big hits of his famous group ... CD
CD, LP, Vinyl record album cover art
Mercury/Ace (UK), Late 60s. New Copy
One of the best ever albums by Leslie Gore – full of sweet natured girl pop songcraft that's on par with her biggest hit singles – but with an underlying sadness and overall emotional depth that's underappreciated to this day! It might not be as monumental as, say Pet Sounds, but we ... CD
CD, LP, Vinyl record album cover art
Ace (UK), 1950s/1960s/1970s. New Copy
Nick Cave is a man of many influences – sounds from so many different styles of music, which he's used to forge into his own uniquely personal style over the years! And Cave's never been secret about the music that moves him, either – and always gives credit where credit's due – ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Late 50s/Early 60s. New Copy
Killer cuts from the farthest reaches of the Louisiana scene in the early years of rock and roll – and exactly the kind of material that shows why that state was such an influential one at the time! The music here isn't just familiar rockabilly or crossover hits – and instead has this ... CD
CD, LP, Vinyl record album cover art
Ace (UK), 1960s/1970s/1980s. New Copy 2CD
A much needed, decades spanning compilation of tunes by south Louisiana born singer Warren Storm – a name that's virtually unknown to the contemporary mainstream, but he's got one of the most charismatic voices to ever come out of the swampy pop/rock/blues/R&B scene! He's working the ... CD
CD, LP, Vinyl record album cover art
Ace (UK), Mid 60s. New Copy
One of the greatest songwriting teams of the 60s – featured here in a treasure trove of singles and album tracks that really show the duo at their best! This is the third in Ace's series on the team of Ellie Greenwich and Jeff Barry, but it may well be the best so far – as the tunes ... CD

⇑ Top