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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Jean Luc Ponty as his most freewheeling – working here on the album-long "Sonata Erotica" – with Joachim Kuhn on Fender Rhodes, JF Jenny Clarke on bass, Oliver Johnson on drums, and Nana Vasconcelos on percussion! LP, Vinyl record album
The mighty Jean Luc Ponty in all his 70s glory – taking the violin from the realm of more staid European jazz roots, and using it to rival some of the bigger fusion soloists of the decade! Ponty's key here is the way he uses the electrified instrument almost like a keyboard – spinning ... LP, Vinyl record album
With Alan Zavod on keyboards, Joaquin Lievano and Jamie Glaser on guitars, Ralphe Armstrong on basss, and Casey Scheuerell on drums. LP, Vinyl record album
An album that really lives up to its title – as the mighty Jean Luc Ponty mixes together keyboards and electric violin in a really cosmic style – pushing forward both his music and the sound of 70s fusion at the same time – and with the sort of rock-solid approach that always ... LP, Vinyl record album
A European session, with Davis on tenor, Thomas Clausen on piano, Bo Steif on bass, and Alex Riel on drums. Titles include "Locks", "Wave", "Bye Bye Blackbird", and "Out Of Nowhere". LP, Vinyl record album
A wonderful live date from the legendary Toots Thielemans – and one that's got some especially nice electric piano interplay with his famous guitar and harmonica! There's a bit more of an edge to this record than some of Toots' more polished outings for bigger labels – and we really ... LP, Vinyl record album
Proof that Anthony Braxton on his own could generate as much excitement as a whole group of other players! The album's a key work in the tradition of Braxton's seminal For Alto session for Delmark – played on alto sax as well, and featuring Braxton in solo exploration of a variety of ... LP, Vinyl record album
A landmark album from the great Ron Carter – one of those key 70s sides where he was able to show the world that he was way more than just a jazz bassist – and instead a sophisticated musical genius with so much to offer! Ron's bass is certainly a key part of the set – he plays ... LP, Vinyl record album
One of Dizzy Gillespie's hippest big band sessions ever – and one of the few dates as a leader from arranger Gil Fuller! Fuller will always be best-remembered as the man who composed some of Dizzy Gillespie's best known tunes from the bop era – like "Manteca", "One Bass ... LP, Vinyl record album
Hank Crawford's always been a great saxophonist – but he's also one that sometimes works even more strongly in a bigger group setting – as you'll hear on this 70s Kudu session with funky arranger David Matthews! Dave takes the groove forward from the sound that Hank sometimes had back ... LP, Vinyl record album