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This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A live performance from pianist Keith Jarrett, recorded at Suntory Hall in Tokyo – but one that's a bit different than some of the solo sets that came earlier in his career, as it's got both a different sound and different style overall! The tracks here aren't side-long improvisations, and ... LP, Vinyl record album
Keith Jarrett on piano, soprano sax, bass recorder, celeste, and drums – with Dewey Redman on tenor sax and percussion, Charlie Haden on bass, and Paul Motion on drums and percussion. LP, Vinyl record album
No bebop here, despite what you might guess from the title – and instead an album of much freer lines and wider musical vision, captured with Keith Jarrett's famous group of the 70s! Jarrett plays a bit of soprano sax alongside his piano, and the rest of the quartet features Dewey Redman on ... LP, Vinyl record album
Keith Jarrett hits some of the styles of his later ECM years – working here on both piano, soprano sax, and percussion – in a quartet with Dewey Redman on tenor sax and percussion, Charlie Haden on bass, and Paul Motian on drums and percussion. The first half features the long "Eye ... LP, Vinyl record album
A very unusual record – one that has Keith Jarrett playing some solo organ – and a baroque organ at that – but in ways that are quite different than you might expect! The sounds here are amazing – almost noisy at points, as Jarrett really works the instrument in an ... LP, Vinyl record album
A totally wonderful album from the young Keith Jarrett – and a set that's different than most of the pianist's other well-known modes – not his solo improvisations, not his successful trio material, and not even his more outside quartet modes of the 70s – but instead this ... LP, Vinyl record album
A really wonderful little record from Pat Metheny – quite possibly our favorite by the man, thanks to some really inventive sounds that still resonate strongly in the groove scene today! Pat's skirting nicely here between the sound-based quality of earlier records, and some of the more fluid ... LP, Vinyl record album
A near-legendary album from Pat Metheny – the real birth of the "Metheny sound" on record, and a perfect example of the magically fluid groove that he crafted with keyboardist Lyle Mays! The sound here is hard to describe – and even harder when you try to pick out the ... LP, Vinyl record album
The second effort from this trio – with Dave Holland on bass, Jack DeJohnette on piano and drums, and John Abercrombie on electric and acoustic guitars, and electric mandolin too! LP, Vinyl record album
A whole new kind of trio session for the 70s – one that has the airy, open lines of guitarist John Abercrombie stretching out nicely in the company of drummer Jack DeJohnette and bassist Dave Holland! The music is archetypal ECM work of the time – a complete contrast to a guitar trio ... LP, Vinyl record album
Arguably the last great album to come from the classic Pat Metheny collaboration with Lyle Mays – a record that's tightened up considerably from some of the group's earlier efforts, but which gives as its reward some wonderfully compelling tunes! Pat's still very much influenced here by a ... LP, Vinyl record album