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(Cover has light wear and a bit of pen on the front and one label.)
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A club crossover classic from The Rolling Stones – a track that surprisingly got the group onto the dancefloor in the late 70s, but which still held onto most of their best elements! Although sometimes panned as a cheap disco cash-in effort by some, the tune is actually pretty darn great ... 12-inch, Vinyl record
Incredible work from Tuxedomoon – one of their first, and still one of their best – and proof that in the right corners of the US scene, the best post-punk influences got started at the same time as the UK! The record mixes moody drum machine lines with the crazy vocals of Winston Tong ... 12-inch, Vinyl record
Excellent moody, ethereal stuff from the groovy French combo. On these 4 tracks, they wear all of their influences on their sleeve – from Bacharach, to Morricone, to Mancini (in his 70's electric period) – but who cares? This stuff is great, beautifully packaged, and like finding some ... 12-inch, Vinyl record