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Cleopatra's Needle (Japanese pressing)

LP (Item 624829) Fontana (Japan), 1968 — Condition: Used
(reissue)
(€- || £- || ¥-) (approx.)

An incredible record from the British jazz scene of the late 60s – and quite possibly the best-ever set cut by baritone saxophonist Ronnie Ross! Ross was always a great player in his own right – probably the second greatest European baritonist of his generation next to Lars Gullin – but on this record he really steps forward with a bold new sound – one that's filled with sharp edges, modal rhythms, and some of the more adventurous jazz modes that had been showing up the Saba label during the late 60s. His partners in crime here include tenor saxophonist Art Elefsen, trumpeter Les Condon, vibist and pianist Bill LeSage, bassist Spike Heatley, and drummer Tony Carr – and both Elefsen and LeSage contribute really tremendous sounds to the record, especially on those numbers that feature vibes. All tracks are originals by the members of the group – filled with dynamic energy and freely exploratory grooves – and titles include "Dolphin Square", "Cleopatra's Needle", "Stand By", "Tibufa", "Brewer's Castle", and "U69". (Out of print Japanese pressing. Incredible package – with the original European-styled sleeve.)  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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