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Four For Trane

LP (Item 6238) Impulse, 1964 — Condition: Very Good+
Gatefold

An amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done by Archie's sharply crafted musical vision on the set. The style here is that mix of freer lines and tighter conception that Shepp used with the New York Contemporary Five – and players include John Tchicai on alto from that group, plus Roswell Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums. The lack of piano in the album is striking – and allows for plenty of horn interplay, but in a way that's much more cutting and dark than any of the piano-less horn dates from the 50s. Titles include 4 Coltrane compositions ("Syeeda's Song Flute", "Mr Syms", "Cousin Mary", and "Naima"), as sort of a tribute to Trane – plus Shepp's excellent "Rufus (Swung, his face at last to the wind, then his neck snapped)".  © 1996-2020, Dusty Groove, Inc.
(Green label ABC/Impulse pressing. Cover has some surface wear.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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