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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Sweetly jazzy soul from George Benson – a key classic from his great run at Warner Brothers Records, and the kind of record that George did better than anyone else at the time! Back in the 60s, we'd never have guessed that Benson's sweetly crackling vocals would dominate popular jazz more ... LP, Vinyl record album
A super huge hit for George Benson – and the record that took him from being a funky jazz guitarist into an R&B superstar – opening up sides of his talent that first emerged on his 50s R&B recordings as Little George Benson, but taken here into some very hip 70s territory! The ... LP, Vinyl record album
A great little record from the days before George Benson had totally hit his smooth jazz sound of the 70s, and was being pushed by Columbia as a hard wailing soul jazz leader! The record features his classic quartet with Lonnie Smith on organ – grooving away hard hard hard, sometimes even ... LP, Vinyl record album
Yipes! This one made everyone a bucket of money – especially Quincy Jones, whose new Qwest imprint the record was one of the first to grace. George has come a long way from his roots with Jack McDuff here – but in a way that kind of has us impressed, as he's grooving away slickly on ... LP, Vinyl record album
Sweet 70s funk from George Benson – an album that's a bit smoother than some of his earlier work, but still free from the commercial polish of his later hits! Maestro David Matthews is at the helm for this session – and most numbers have a full backing from players who include some of ... LP, Vinyl record album
A mellow mainstream fusion classic from the 70s – one that paired the gentle guitar of Earl Klugh with the sweet keyboards of Bob James – in a set that's filled with plenty of warm and laidback touches! The mode here takes off some of the darker edges from James' earlier sound, and ... LP, Vinyl record album
Dark genius from keyboardist Bob James – one of his seminal 70s classics for CTI! The album follows strongly in the spirit of the records One and Two – using James' spacious approach to Fender Rhodes alongside some backings that are electric, yet have an earthily funky quality that ... LP, Vinyl record album
A landmark album from the great Ron Carter – one of those key 70s sides where he was able to show the world that he was way more than just a jazz bassist – and instead a sophisticated musical genius with so much to offer! Ron's bass is certainly a key part of the set – he plays ... LP, Vinyl record album
An excellent little live set from Deodato – hard to believe because the sound's just as tight and funky as his studio albums, and possibly even more interesting because he manages to pull it off equally well in a live setting! The record features percussion by Airto, guitar by John Tropea, ... LP, Vinyl record album