This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
Ashford & Simpson may have gotten their start at Motown, but they really found their groove at Warner Brothers – as you'll hear on this massive collection of tracks from their landmark late 70s years at the label! Even many decades later, the strength of this music is undeniable – ... CD
The expansive musical mind of August Darnell stretches on in this fourth album from Kid Creole & The Coconuts – a blend of dancefloor rhythms and unusual tunes with a B-Movie approach to pop! Darnell's jazzy influences are still running strong on the set – eclipsed slightly by some ... CD
Classic funky soul from Five Special – tightly crafted throughout, and clearly with an eye on the charts – but also the kind of work that plays nicely on the dancefloor too! The record's got a groove that fits in nicely with some of the lesser-remembered groovers on Elektra at the time ... CD
Nice one! This great compilation of tracks from the legendary Loma label is graced by a great set of notes, discographical information, and 50 lost tracks of hard soul from one of the most overlooked and underreissued labels in the business. Cuts include "Roll With The Punches" by ... CD
The more stylistically sprawling of the 2 albums Prince released upon returning to Warner Brothers in 2014 – nicely recalling some of his better later 80s and early 90s material, post-Sign O The Times craft – but still moving forward, as opposed to reliving past glories! Art Official ... CD
A trio of albums from this legendary New Orleans soul singer – all of them great! First up is Toussaint – a seminal album from Allen Toussaint – his first big move as a solo act, and the start of some great fame that would blossom even more strongly in the 70s! This indie effort ... CD
2 classics from Candi Staton on one CD – probably the biggest albums of her career! After first breaking into the soul business as a mellow southern-styled singer cut by Rick Hall in the classic Fame mode of Muscle Shoals, Candi made a wise move to the Hotlanta sound and hooked up with ... CD
A set that's late in the classic Zapp run from the 80s, but a record that's still very much head and shoulders above the competition – including the many acts who were trying to cop Roger Troutman's groove, but never got things this right! There's still plenty of bass at the bottom, re-fitted ... CD
From a hard soul trio to one of the biggest soul chart acts of the mid 70s, The Emotions had an amazing ride to the top. Although the sisters started out in the field of gospel, then moved through indie labels to cut a few nice raw soul albums for Stax, it was the Chicago soul genius of Maurice ... CD
We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones ... CD