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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Raucous late material from Wanda Jackson – one of the greatest voices of late 50s rock & roll, male or female – sounding freshly invigorated well into her 70s! The album is produced by Jack White and staffed by his Third Man Records players, with no one involved here sounding all ... LP, Vinyl record album
A great collection of Merle Hagard classics – including "Kentucky Gambler", "Daddy Frank", "Okie From Muskogee", "Uncle Lem", "Swinging Doors", "Mama Tried", "The Fightin Side Of Me", "Silver Wings", "Sing Me ... LP, Vinyl record album
An overlooked late Capitol Records gem from the great Merle Haggard – with titles that include "A Working Man Can't Get Nowhere Today", "I'm A White Boy", "Making Believe", "Got A Letter From My Kid Today", "Blues For Dixie", and "Running ... LP, Vinyl record album
A key late 60s country crossover set, but one that also inspired a fair bit of funk as well! The title cut's a well-known gem – one that's been covered instrumentally in some break-heavy versions, but which sounds even more amazing here in Bobbie's original version – one of the ... LP, Vinyl record album